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Word: picassos (lookup in dictionary) (lookup stats)
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...Pilfered Picasso Reclaimed...

Author: /time Magazine | Title: The Week August 21-27 | 9/5/1994 | See Source »

...delusions of creative omnipotence -- which, as time went by, coexisted with equally serious problems of sexual impotence, caused (or so he said) by a book with lurid illustrations of the effects of venereal disease that his father had shown him. Dali turned out to be the exact opposite of Picasso's phallicism. He was thrilled by softness, flaccidity. "Nothing," he wrote, "can be regarded as too slimy, gelatinous, quivering, indeterminate or ignominious to be desired...

Author: /time Magazine | Title: ART: Salvador Dali: Baby Dali | 7/4/1994 | See Source »

...taste for smoothly curved profile and deep black relief that he got from Amedee Ozenfant's decorative Cubism, for instance, turned into Dali's later fondness for writhing, spookily dark shadows cast by figures on a flat ground-plane, the idealized desert of his paintings. Dali's obsession with Picasso reached a height of imitative flattery with his pastiches of the older painter's massive "classical" women in white fluted dresses. Likewise, when Dali the Surrealist was pupating, there was hardly a trope in his pictures of 1927-28 that didn't come out of Andre Masson, Ernst, Miro...

Author: /time Magazine | Title: ART: Salvador Dali: Baby Dali | 7/4/1994 | See Source »

...control you see in great drivers or skaters, a supple rigor that seems to exist only on the edge of its own dissolution. One is tempted to say that Excavation is the last great Cubist painting, 30 years after Cubism petered out. All of De Kooning's relation to Picasso...

Author: /time Magazine | Title: ART: Seeing the Face in the Fire | 5/30/1994 | See Source »

...illegal immigrant from Rotterdam in 1926. He was a gifted draftsman who had already achieved a high level of academic training. But he gradually learned to connect that to a modernist syntax, fusing the line of Ingres and the fragmentation of the antique torso to 1930s Picasso and his American derivatives like Arshile Gorky. Seated Figure (Classic Male), 1940, shows the early stage of this process to perfection. The forms through which De Kooning reached abstraction were always connected to an earlier kind of abstraction, that of academic drawing...

Author: /time Magazine | Title: ART: Seeing the Face in the Fire | 5/30/1994 | See Source »

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