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Word: pickpocketeers (lookup in dictionary) (lookup stats)
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...story is so naively contrived that the audience at times must swallow it out of simple generosity. Mifune-appearing 15 years trimmer and every muscular inch a star-plays an idealistic rookie detective whose confidence is shaken when a pickpocket steals his .38 Colt on a crowded bus. He plunges into the Tokyo underworld to find it; and in a long sequence without a word of dialogue interrupting the flow of images, Kurosawa pulls the viewer right in after him. Mifune joins forces with a wise old sleuth (Takashi Shimura), and the two men track a killer through a series...

Author: /time Magazine | Title: Cinema: Tokyo Manhunt | 3/13/1964 | See Source »

...have been indifferent to this scandal because they have not realized how deeply it affects them. I think it is time all of us stopped laughing over the antics of politicians and woke up to the fact that the business of government is our business. When we tolerate a pickpocket philosophy in politics, we defraud ourselves...

Author: /time Magazine | Title: Public Policy: Seduction by Subsidy | 9/13/1963 | See Source »

...Pickpocket. French Director Robert Bresson launches an excursion into the cold world of Nietzschean philosophy as he takes his hero, a pickpocket, through a series of emotional situations. The film propounds paradoxes: that man must sin to be saved, that the road to heaven is paved with bad intentions...

Author: /time Magazine | Title: Television: Jun. 21, 1963 | 6/21/1963 | See Source »

...Pickpocket. French Director Robert Bresson launches an excursion into the cold world of Nietzschean philosophy as he takes his hero, a pickpocket, through a series of emotional situations. The film propounds paradoxes: that man must sin to be saved, that the road to heaven is paved with bad intentions...

Author: /time Magazine | Title: Time Listings: Jun. 14, 1963 | 6/14/1963 | See Source »

...Pickpocket. French Director Robert Bresson is a Christian cinemascetic who in 29 years has made only seven movies. None of them is a masterpiece, but the best of them (Diary of a Country Priest, A Man Escaped) are luminous meditations on the life of man in the sight of God. In Pickpocket, a picture so original in style that it sometimes seems downright peculiar, Bresson propounds a harrowing paradox: that man must sin in order to be saved, that the road to heaven is paved with bad intentions...

Author: /time Magazine | Title: Cinema: The Road to Heaven | 6/7/1963 | See Source »

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