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Clint Eastwood stood in front of the Hotel du Cap's Eden Roc restaurant and surveyed this fairy-tale domain. As Bird, his bebop bio-pic of Jazzman Charlie Parker, was unspooling a few miles down the Riviera at the 41st Cannes Film Festival, Eastwood reminisced about the small indignities that beset a larger- than-life movie hero. On a trip to Cannes in 1985, his sponsors had set him up in a portside yacht near the Palais des Festivals. But the yacht's ceilings were too low to accommodate his 6-ft. 4-in. frame, even when he stooped...

Author: /time Magazine | Title: Show Business: Clint, Brits And Kids at Cannes | 6/6/1988 | See Source »

...what? Now, Fatal Attraction is a fun movie. But so was Friday the 13th. This is indubitably the first time a slasher film has been up for best pic. If the Academy wanted to select a truly good shocker, it should have picked River's Edge...

Author: By Gary L. Susman, | Title: And the Winner Is.... | 4/8/1988 | See Source »

Gonna: Platoon. Because it's the "moral choice." Because it made the cover of Time Magazine. Because everybody has decided it's the Vietnam film on account of it's so goshdarned literal. I'll take Colonel Kurtz or Russian roulette players over this war-is-hell pic any day of the week...

Author: By Daniel Vilmure, | Title: And the Envelope, Please | 3/26/1987 | See Source »

...film's writers and director, who want to celebrate the antic resourcefulness of American individualism while satirizing the gaseous platitudes that are too often used to motivate and justify it and sometimes corrupt it. Their work may have the broad manner (and the marketing strategy) of a teen pic, but do not be misled. One has to have lived through the early '60s to appreciate what a good, smart comedy Volunteers...

Author: /time Magazine | Title: Cinema: Up-Country Without a Paddle Volunteers | 9/9/1985 | See Source »

This Amadeus dares to pose the riddle of genius in the form of a traditional celebrity bio pic. In 1781 Mozart (Tom Hulce), once the put-upon prodigy of musical Europe, comes at the age of 26 to the Viennese court of Hapsburg Emperor Joseph II (played with a sly, thin smile and a delicious air of cagey indecisiveness by Jeffrey Jones). There the man of the moment is Antonio Salieri (F. Murray Abraham): court composer, consummate technician and politician, Emperor's favorite, a musical lion of Vienna. Most important, he knows his place, as an educated servant among...

Author: /time Magazine | Title: Cinema: Mozart's Greatest Hit | 9/10/1984 | See Source »

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