Word: pictorialists
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Dates: during 2000-2009
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...Lives in Photography, which opened this week at Paris' Jeu de Paume, begins with a giant 5 m by 4 m shot of Manhattan's George Washington bridge. Feel free to make your own analogies. After all, Steichen (1879-1973) bridged the transition from photography's early soft-focus, pictorialist style to crisp modernism. He also linked the art world between New York and Paris, and made his own life a bridge from artist to critic to commercial photographer to museum curator. He has been hailed as the greatest photographer of the 20th century, and the Jeu de Paume show...
...commercialism, Steichen had a human side. He served his adopted country in World War I, and his work in aerial reconnaissance photography persuaded him to abandon the painterly pictorialist style for clear, precise images. At 60, he enlisted in Word War II, specializing in public relations photos and documentaries. From time to time, Steichen would drop out of commercial life to tend his own garden, literally. He loved flowers, breeding them (an iris is named after him) and photographing them. His floral pictures provide almost the only color in this dramatic, black-and-white show...
...dimmer lighting evoke the great American landscape photographer in his teens and twenties struggling to find the most direct and honest way to express his sense of awe on trips to Yosemite and elsewhere in the Western wilderness.Adams made these first few dozen prints in the pictorialist style of his contemporaries, for whom photography didn’t inherently qualify as art. The pictorialists felt the need to touch up their images in the developing tray, even draw on them with a special kind of ink. A print very low on detail, foggy and mysterious, would result, bearing no resemblance...
...Pacific shore and found themselves in the company of assorted shrinks, religious prophets, musicians and writers, from Aldous Huxley and Thomas Mann to Henry Miller and Nathanael West. A lot of photography, of course, especially ultrasharp f/64 pix of very grand mountains by Ansel Adams and fuzzy Pictorialist ones of American nudes capering among the redwoods in homage to Isadora Duncan. In sculpture, not a hell of a lot. In painting, sad to admit, not much either. Two shining exceptions are recent - Richard Diebenkorn (1922-93) and Wayne Thiebaud (1920- ). But it should be grasped that one is not dealing...
...Pacific shore and found themselves in the company of assorted shrinks, religious prophets, musicians and writers, from Aldous Huxley and Thomas Mann to Henry Miller and Nathanael West. A lot of photography, of course, especially ultrasharp f/64 pix of very grand mountains by Ansel Adams and fuzzy Pictorialist ones of American nudes capering among the redwoods in homage to Isadora Duncan. In sculpture, not a hell of a lot. In painting, sad to admit, not much either. Two shining exceptions are recent--Richard Diebenkorn (1922-93) and Wayne Thiebaud (1920- ). But it should be grasped that one is not dealing...