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Blossoms in the Dust (Greer Garson, Walter Pidgeon, Felix Bressart; TIME, July...

Author: /time Magazine | Title: Cinema: Current & Choice, Jul. 14, 1941 | 7/14/1941 | See Source »

...Hunt (20th Century-Fox) opens quite pastorally somewhere in the mountains of Bavaria. Through this silent, forested wilderness slips a renowned English big-game hunter (Walter Pidgeon). At the edge of a ravine he shrouds himself in shrubbery, peers across and spots his quarry. With meticulous care he fits a telescopic sight to his handsome sporting rifle, sets it for 550 yards, notes the wind drift, draws a cautious bead, and smiles a hunter's smile. Caught full in the sight is the left breast of the world's most wary and unstalkable animal: Adolf Hitler...

Author: /time Magazine | Title: The New Pictures, Jun. 30, 1941 | 6/30/1941 | See Source »

This cinemadaptation of Novelist Geoffrey Household's best-selling Rogue Male is a superb thriller. Loaded with excitement, suspense and terror, it is a happy joining of a wonderfully workmanlike script by Dudley Nichols with talented direction by Fritz Lang and first-rate acting by Mr. Pidgeon, George Sanders, Joan Bennett, John Carradine...

Author: /time Magazine | Title: The New Pictures, Jun. 30, 1941 | 6/30/1941 | See Source »

...Hunt is more than just a thriller. Without ranting or tiresome speechmaking, it states the case for Democracy v. Naziism with intelligent restraint. The conflict between Hunter Pidgeon and Pursuer Sanders, the Gestapo chief, puts a man of good will up against a tough guy who thinks that might makes right. Director Lang (M. Fury), thrice-wounded Austrian veteran of World War I and a fugitive from Nazidom, knows that conflict intimately. Because he also knows how to tell a story with a camera, Man Hunt has the kind of polished wallop that Hollywood likes to talk about...

Author: /time Magazine | Title: The New Pictures, Jun. 30, 1941 | 6/30/1941 | See Source »

...woman at the bottom of his ambitions and marshal Bob Seton always waiting to take her away, the plot preserves all the aspects of a rip-roaring melodrama and yet succeeds where hundreds have failed. "Dark Triumph," boasting a lot of new talent and some oldtimers like Walter Pidgeon and Clare Trevor is one of the better pictures to his a Boston screen this year. It has splendid acting, direction that knows how to use a herd of thundering cavalrymen and how to develop the character of a good man turned bad, and a touch of building-the-old-West...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 6/5/1940 | See Source »

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