Word: pie
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Dates: during 1960-1969
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Like Apple Pie. "We have some of the lowest sewer tax rates in the country," says Stefanski. "I figured we'd double the rates to amortize our bonds." To persuade the people to pay, Stefanski enlisted newspaper support, lined up citizen groups and got 33 suburban governments to endorse the plan. "It became like apple pie and motherhood," he recalls. "No one could be against clean water." Last fall Clevelanders approved the bond issue by a vote of 2 to 1, giving it more "yes" votes than any other proposal on the ballot. In five years, Cleveland should have...
...that the next goal will be to encourage black businessmen to sell common stock and build large public corporations. "The black businessman does not want to give up 10% of his stock," Brown says. "He does not quite understand what it means to have control rather than the whole pie. Going big is an experience most black people never had." When black capitalism joins the big leagues, black athletes may be among the leaders...
Despite reports to the contrary, it is the hot dog, not apple pie, that is the supremely typical American dish. Or at least it used to be, before it fell on evil times. These days, an Agriculture Department hearing was told last week, franks average as much as 32.% fat, 11% more than the franks of the '50s. Some go as high as 51%-leading to the question of whether the product should be called a fatfurter...
...reached something of a high point last week when he set up a confrontation between Columbia University Radical James Simon Kunen, author of The Strawberry Statement (TIME, May 9), and Yale Student Tony Dolan, a conservative who occasionally contributes to the National Review. "I eat my share of apple pie," insisted Radical Kunen when he was attacked by Dolan for being something less than the all-American boy. And so the debate continued. Kunen: "There are no hungry conservatives." Dolan: Today's campus radicals operate with "noise instead of intelligence...
Fantasy Window. One outstanding member of the "new grotesques" is Gregory Gillespie, 32, a native of New Jersey who now lives in Rome and shows at Manhattan's Forum Gallery. Gilles pie, who first went to Italy on a Fulbright in 1963, paints with tempera and oil on wood panels, as did Bellini and Giorgione, and loves Renaissance perspective. He limns tiny images of skinned-looking women or bloated, lecherous men as zestfully as Bosch him self, and sets them against the wall of a squalid Roman slum. Surrealistically oozing globules and pustules contrast with saints' pictures...