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Indeed, the opera is sure to be at least a satisfying experience considering that it not only boasts the talents of Griesbach’s direction but also Ken Pierce’s choreography. Pierce, who last year directed the Early Music Society’s rendition of Giasone, is...

Author: By Anais A. Borja, CRIMSON STAFF WRITER | Title: More Than Words | 11/21/2002 | See Source »

"I spent four days in Cadiz, Spain, with the cast and crew. During the day I'd just hang out on the set, and at night I'd hit the tapas bars with the crew. It got to the point where Pierce Brosnan said, 'What? You're still here? Are...

Author: /time Magazine | Title: Reporter's Notebook | 11/18/2002 | See Source »

That the Bond Girl rising from the sea is the reigning Oscar queen says plenty about the staying power of the understated British spy whom Ian Fleming created 50 years ago. Though Fleming's 14th and last Bond book was published 36 years ago--two years after his death--his...

Author: /time Magazine | Title: Movies: The Man With The Golden Run | 11/18/2002 | See Source »

One afternoon in Cadiz, Pierce Brosnan stands on the rooftop of the Santa Cruz Cathedral's annex. Taking a breather from a scene in which 007 meets a Cuban MI6 operative named Raoul (Emilio Echevarria), he gazes out over the city and reflects on a franchise that has made him...

Author: /time Magazine | Title: Movies: The Man With The Golden Run | 11/18/2002 | See Source »

The two were groomed for the job. Michael had an uncredited part in Goldfinger, and by the 1970s he was helping with scriptwriting. Barbara was "a general dogsbody on set from the time I started," recalls Roger Moore. By 1985 she was an assistant director on A View to a...

Author: /time Magazine | Title: Movies: The Producers: A Second Generation Revives 007 | 11/18/2002 | See Source »

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