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Word: piero (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Great Painters (Putnam; $15.95), Italian Artist Piero Ventura ranges through history from the pottery of ancient Greece to the murals of Picasso. Along the way he stops to consider almost every major artist; he shows how Dürer worked in woodcuts, the techniques of Holbein (seen painting the clothes of a straw model because the King is too busy to pose), the hidden Christian imagery of Goya, the palette of the impressionists, the contained violence of the fauves and cubists. Ventura augments photographs of the paintings with his own sketches of the artists at work, explains such terms...

Author: /time Magazine | Title: Books: Small Wonders For the Young | 12/17/1984 | See Source »

...Gogh; a third, resembling the veined canopy of a Tiffany lamp, may recall what the decorative arts of 1900 owed to the cloisonism (decorative "inlaying" of the picture surface with outlines) of Van Gogh and Gauguin. The Paris of the cubists may have gone; but like the Umbria of Piero della Francesca, Van Gogh's Provence manages to endure, both in and out of the frame...

Author: /time Magazine | Title: Art: The Visionary, Not the Madman | 10/22/1984 | See Source »

...education began in Paris in the early '20s. Balthus shied away from politico-aesthetic groups like the surrealists. After such a childhood, who needed the insecurities of the avantgarde? Instead he settled down to study the fathers: Poussin and Courbet in France and, supreme among the Italians, Piero della Francesca. The clarity and density of Piero's figures, their presence as signs in geometrically ordered space-that was what impressed Balthus. He also made designs for the stage, which in turn influenced his painting. Theater-plus-Piero gave the cues to The Street, 1933, an exceedingly odd painting...

Author: /time Magazine | Title: Art: Poisoned Innocence, Surface Calm | 4/16/1984 | See Source »

...form, Scotto's kittenish acting is appropriate, even if her distressing vocal wobble is not, and MacNeil's fraying baritone sounds better than it has in years. Ezio Frigerio's sets evoke both the splendor and the asceticism of medieval Ravenna and Rimini, but Director Piero Faggioni compensates for the music's static quality by moving the cast around a bit too hectically. The second act, however, is spectacular. It depicts a ferocious battle between the Guelphs and the Ghibellines, replete with whizzing crossbow arrows and hurtling fireballs. Conductor James Levine goes straight for the jugular...

Author: /time Magazine | Title: Music: Looking for a Lost Generation | 3/19/1984 | See Source »

...handful of the Roman Catholic faithful are proposing Grace for beatification, a step along the road to sainthood. Committees to aid the cause are forming in Italy and reportedly in Philadelphia, her home town, and Hollywood as well. During a memorial service for the Princess in Rome, Msgr. Piero Pintus of the Church of San Lorenzo in Lucino surprised Monaco's Ambassador to Italy by announcing that he would gather signatures to begin the lengthy formal process. Said Pintus: "I am sure Princess Grace is in paradise. She may some day do a miracle." Neither the Kellys of Philadelphia...

Author: /time Magazine | Title: People: Oct. 3, 1983 | 10/3/1983 | See Source »

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