Word: piers
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Dates: during 2000-2009
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...with MGM Mirage, the world's biggest casino operator, for a possible alliance. Ho is building a second, $250 million Lisboa across the street from the original. And he is also constructing a $140 million amusement park called Fisherman's Wharf, set to open later this year on a pier jutting into Macau's harbor. "We want to show Chinese tourists a place that's more family-style," says Ho's business partner, Macau-based property developer David Chow...
...Pier 1 Imports and others strive for comic glamour to make their mark. With actress Kirstie Alley, Pier 1 walked the razor's edge of parody. The company, with $1.8 billion in sales for 2003, apparently felt it could gamble on Alley's fairy-godmother-in-an-evening-gown routine. It has now moved on to Thom Filicia, a member of the Queer Eye for the Straight Guy cast, who strengthens Pier 1's connection to individual style while injecting a trendy dose of male glamour...
...Pier Pasolini’s seminal work The Gospel According to St. Matthew, the vast majority of the film is committed to imparting the teachings of Jesus, as he serenely strolls from parable to parable uttering the familiar sacred idioms that have now been fully disseminated into secular vocabulary. Pasolini often floods the screen with the prophet’s unassuming, uni-browed visage, his immobile facial features accentuating the authority of his compassionate words. His crucifixion and subsequent resurrection are terse and understated, barely even serving their proper roles as climax and denouement to the film. In this Gospel...
...Pier Pasolini’s seminal work The Gospel According to St. Matthew, the vast majority of the film is committed to imparting the teachings of Jesus, as he serenely strolls from parable to parable uttering the familiar sacred idioms that have now been fully disseminated into secular vocabulary. Pasolini often floods the screen with the prophet’s unassuming, uni-browed visage, his immobile facial features accentuating the authority of his compassionate words. His crucifixion and subsequent resurrection are terse and understated, barely even serving their proper roles as climax and denouement to the film. In this Gospel...
...Gibson has snorted his derision over the two earlier Jesus films that have earned the most sustained critical acclaim. Asked a year ago by TIME correspondent Jeff Israeli for an analysis Pier Paolo Pasolini's "Il Vangelo secundo Matteo," (The Gospel According to St. Matthew) he faked a big yawn. Of Martin's Scorsese's "Last Temptation," he said, "You've got Harvey Keitel as Judas saying" - and here Gibson shifted into a Brooklyn accent - "Hey, you ovah dere." Maybe his was just dissing his strongest competition. He knew that these films were closest to his, in setting, rigor, power...