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Word: piet (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...repeating themselves, and their disciples will do the same. The genuinely novel paintings at the Whitney were paintings that show at least a hint of image-some sand dunes by Karl Knaths ("Naturally, we all knew about dunes anyway, but we didn't know about these dunes"), a Pietà by Abraham Rattner "that compares with the last sculptures on that theme by Michelangelo." a standing nude by Raphael Soyer ("We see freshly the tired flesh, the dull face, the patient, loving application of paint"). Concludes Getlein: "You find that the only reasonable answer to 'What...

Author: /time Magazine | Title: Art: So What's New? | 2/16/1962 | See Source »

...meticulous grilles of Piet Mondrian look as if anyone with a ruler and a paintbox could have done them. The delight they inspire as design has strongly influenced architecture and graphic advertising. If. upon familiarity, they now seem somewhat sterile, they were no mere gimmickry but the deadly serious result of a lifetime of intellectual search for the truth beyond the surface of reality. Seldom has an artist traveled a more complex route to achieve such striking simplicity...

Author: /time Magazine | Title: Art: Purist | 1/26/1962 | See Source »

...Small Seurat peasants bend to their toil near some child­like magic created by Paul Klee and a few austere and haunting landscapes by Lyonel Feininger. And near them hang the museum's latest acquisitions-two perfect chrysanthemums, one in pencil, the other in watercolor-done by Piet Mondrian in the days before he began painting his color-laden grilles...

Author: /time Magazine | Title: Art: Fresh Old Masters | 9/8/1961 | See Source »

Sunken Caissons. In a country where three-fifths of the population live on land reclaimed from the sea, the closure was a national event. Dutchmen the nation over sat glued to their TV sets; Queen Juliana herself was on hand aboard the royal yacht Piet Hein...

Author: /time Magazine | Title: The Netherlands: Closing the Gap | 5/12/1961 | See Source »

Born in Hannover in 1887, Schwitters forsook the realism of his academic art training to become associated first with the sardonic Paul Klee, then with the Dadaists and such pioneer abstract painters as Piet Mondrian. But all his life Schwitters made a modest living painting realistic portraits aimed at pleasing the sitter. In 1919 he branched away from the Dadaists, founded his own movement, which he called Merz. The word had no meaning, but came from a fragment of a piece of newsprint bearing the phrase Commerz-und Privatbank that he had pasted on one of his collages. "Merz...

Author: /time Magazine | Title: Art: BIG DADA | 8/15/1960 | See Source »

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