Word: piet
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...small sights of Paris between 1926 and 1930; it was seen and enjoyed by a whole roster of artists, designers and architects--Joan Miro and Fernand Leger, Le Corbusier and Isamu Noguchi and, most important for the eventual direction of Calder's own work, Piet Mondrian...
...course; but by a combination of stubbornness, string pulling, blind luck and the help of a tiny number of devotees and friends in the U.S., some did get through, settling for the most part in Manhattan and Los Angeles. Among them, from Paris, were Fernand Leger, Marc Chagall, Piet Mondrian, Jacques Lipchitz and the core group of Surrealists who went to New York City: Max Ernst, Andre Breton, Yves Tanguy, Andre Masson and Roberto Matta. From Germany, Kokoschka, Kurt Schwitters and the Dada collagist John Heartfield reached London, while Max Beckmann, Josef Albers and George Grosz made it to America...
...practice, it wasn't tried in any systematic fashion until after 1910, when the three founding fathers of abstract painting--two Russians, Wassily Kandinsky and Kazimir Malevich, and a Dutchman, Piet Mondrian--came, more or less simultaneously, to believe that pure form, in opposing what they saw as the deadly materialism of European culture, could open the way to a world of pure spirit. Abstraction would become a language, the key to utopian states of mental and social harmony that had been only dimly implied in art before. Abstract art would be the music of the spheres for the 20th...
...DUTCH ARTIST PIET MONdrian, along with the Russians Kazimir Malevich and Wassily Kandinsky, was one of the three founding fathers of 20th century abstract painting. The period 1910-20, when their ideas were in their first messianic flood, is a long way from us now, and the very idea of abstract art has lost some of its old modernist prestige; nobody supposes it could have become, as its makers and early evangelists supposed, the ultimate art form, the end of art history. And yet Mondrian remains an artist of extreme importance, not only because of the historic inventiveness...
Generally, Rothenberg seems to be at her best in paintings that combine a single image with anxious focus. In the later '80s she became preoccupied with a different, atmospheric style of painting and images of dancers (including one of her aesthetic heroes, the painter Piet Mondrian, imagined solemnly doing the fox-trot with a Rothenberg-like partner). In their cold, flickering, indistinct light, one catches long-distance echoes of Impressionism and of the sequential-position photography that was once copied by the Italian Futurists. In these, as in the drawings from this period, form is extremely provisional -- the shape...