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...BLUE. The color is defined not scientifically, with reference to pigment and wave length. For BLUE the Shorter waxes poetic. "Of the colour of the sky and the deep sea"; and also, "of a flame or flash without red glare; esp. in phr. To burn b, as a candle is said to do as an omen of death, or as indicating the presence of ghosts or of the Devil. (1994)" Also, the color associated with constancy, "hence, true-b," Or pertaining to the political party which has adopted blue as its color, in England, the Conservative. "To vote b." "Affected...

Author: By Peggy VON Serlinki, | Title: How to Avoid the Draft | 1/15/1964 | See Source »

COLETTE BANGERT-Krasner, 1061 Madison Ave. at 80th. Watercolors employing the touch of the pointillists and the spectrum of the impressionists limit themselves to the exploration of hidden lights. A warm incandescence radiates from flecks of contrasting opaque pigment veneered over squiggles like Hebrew calligraphy. First New York showing. Through...

Author: /time Magazine | Title: Art: Art in New York: Jan. 3, 1964 | 1/3/1964 | See Source »

ENRICO DONATI-Staempfli, 47 East 77th. Slabs of textured pigment on canvas are built up out of what Donati calls "mixed media," and that can mean everything from sand to terra-cotta dust to ground marble. Twenty of his newest paintings...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

Overexposure. Tanning is actually the skin's way of protecting itself. In a reaction to the sun's rays, the skin thickens and dark pigment moves to the surface from underlying layers to help absorb later radiation. Dark-skinned persons have a larger supply of such protective pigmentation at the surface and can take considerably more sun without burning. Redheads, blondes and fair-skinned persons run the greatest risk...

Author: /time Magazine | Title: Health Fads: The Sun Also Burns | 6/21/1963 | See Source »

...comparable purposes, others in the show put before the viewer a psychological tension, an ambiguity, a presence that appears after a few minutes' looking. The greatest divorce from action painting lies in the works of the late Kenneth Noland and Morris Louis. Thinning oils with turpentine, they stained pigment into unsized canvas so that the brush stroke is invisible but the colors clash like a warring spectrum...

Author: /time Magazine | Title: Art: Second-Generation Abstraction | 5/24/1963 | See Source »

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