Word: pigmenting
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...thin, linear and efflorescent, Kossoff stuck to delving into the images and people around him and the memories within. His scenes of public baths, markets and Underground entrances are packed with small figures, stuck in their social matrix as though in jam (especially given Kossoff's dense pigment) -- a pictorial equivalent, as it were, of the double meaning of the Hebrew word olam, which means world but also crowd. A painting like A Street in Willesden, 1985, reminds one of how pointless the stereotypes about English art have become. It is not anecdotal, witty, light or conversational. Rather, the opposite...
Regular tinted sunglasses that protect the eye from visible light do not < necessarily screen out harmful rays. To stop UV light, lenses must be treated with a special pigment that absorbs the damaging rays. Eye specialists caution that untreated sunglasses may be worse than no sunglasses at all. Reason: without dark glasses, people squint and blink in the sun, minimizing the amount of UV light reaching...
...recent trials of the tan enhancer, Norman Levine, a University of Arizona dermatologist, confirmed that it produces a fast tan for all skin types by increasing melanin, the skin pigment that absorbs the sun's ultraviolet rays. The black mark against Bergasol, say other doctors, is that it contains the chemical psoralen, extracted from citrus oil. In animal tests at Harvard Medical School, high doses of psoralen caused skin cancer. Still, says Harvard Dermatologist Madua Pathak, Bergasol also contains sunscreen, which reduces UV absorption and cuts the risk to humans to acceptable levels. Harvard Colleague Robert Stern...
...skin to sag and wrinkle. Drinking, smoking and suntanning speed up these processes. With less fat and a decline in the activity of sweat glands, the skin becomes a less efficient regulator of body temperature. The result: older people have a harder time staying warm and cooling off. Protective pigment-forming cells that absorb the sun's harmful rays are reduced by 10% to 20% for each decade of life, thus increasing susceptibility to skin cancers...
From about 1980 onward Rothenberg took more to an open weaving with the brush, dabbing her pigment into a field of hatchings. There is so much overpainting and layering in her recent work that the paintings seem to have grown excruciatingly slowly. They carry a patina of doubt on every square inch of their surface. But they do breathe: light and air -- of a rather claustral kind, but atmosphere just the same -- bathe the bodies and unify them as objects in the world while threatening always to dissolve them as emblems of personality. The surfaces look as if they came...