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...pictures of horses. These were more emblems than descriptions: bold, rather clunky equine silhouettes embedded in flat, abstract space, with the totemic air of cave paintings. Their primitive look was, in fact, quotation; it was clear from her knowing use of close-valued color and her pasty, elegantly manipulated pigment that she was already an artist of considerable sophistication. What was not clear was where she could take this quasi-heraldic imagery if she was going to hold on to her roots in pictorial minimalism. One soon found out. Rothenberg clung to the human figure, presenting it as a collection...

Author: /time Magazine | Title: Art: Spectral Light, Anxious Dancers | 11/9/1987 | See Source »

...PAINTINGS ON VIEW IN the exhibitionare unfamiliar even to Americans at home in theworld of canvas and pigment. While the writers andmusicians of the period--Tolstoy, Dostoevsky,Chekhov, Rachmaninoff, Tchaikovsky--have achievedworldwide fame, the visual artists remain largelyunknown outside of the Soviet Union. In the latenineteenth century Russian culture came into itsown, breaking free of the slavish imitation ofwestern norms that had plagued it since Peter theGreat first journeyed across the steppes in the1700s. The efforts of painters to forge a uniqueRussian artistic identity rivaled their literaryand musical counterparts in complexity, sincerityand originality...

Author: By Maurie Samuels, | Title: From Russia With Love | 4/23/1987 | See Source »

...soak-stain methods of color-field painting that did not seek and repeat watercolor effects. The big difference lay in the size, the curtness and (sometimes) the grandeur of the image, and in the scrutiny it received from Greenberg's disciples, rocking and muttering over the last grain of pigment in the weave of these canvases, like students of the Talmud disputing a text, before issuing their communiques about the Inevitable Course of Art History to the readers of Artforum...

Author: /time Magazine | Title: Art: A Look At a Beautiful Impasse | 11/10/1986 | See Source »

...this pigment activity is merely a symptom of what Einset calls a "fluctuation of metabolism" it the trees. "By fall, the metabolism essentially stops and reassimilation of nutrients into the tree begins," Einset says. The leaves begin breaking down, and the nutrients contained in them are absorbed into the bark of the tree. So, the leave fall off and shrivel to crispy, brown leaf corpses. And all over Vermont, people begin burning pile of dead leaves in their front and back yards...

Author: By Victoria G.T. Bassetti, | Title: An Autumnal Adventure: Foliage in Vermont | 10/10/1986 | See Source »

...minimal abstraction as from botany. The first time Winters painted a microscopic object was in 1980, when, seeking to relieve the monotony of a field of abstract color, he had painted in homage to Brice Marden, he decided to put in a diagram of the crystalline structure of the pigment, the form of the mineral out of which the surface was made; paint describing itself. He knew about pigment minerals because he ground his own colors. From then on he gradually put together an archive of crystals and plant forms, and it colonized his paintings...

Author: /time Magazine | Title: Art: Obliquely Addressing Nature | 2/24/1986 | See Source »

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