Word: pigments
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Dates: during 2000-2009
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...tiles he ships each week.Smuts’s work inherently deals with the picture elements of everyday life, from the pixels of a computer screen to the square blocks of a city’s layout. Painting itself relies on pixelization in the suspended dots of insoluble pigment that give each color its hue. Indeed, the rods and cones of our eyes actually pixelize our view of reality, though with very fine resolution.Artists have long turned to pixels as a medium, from the stunning Roman, Byzantine and early Christian mosaics (think of “Alexander at Issus...
...alkali. So when you spill red wine on the carpet, you mop up as much as you can, then sprinkle on bicarb soda. The alkali negates the acid. You'll see straight away the stain change from red to pale gray as the pH swaps over and the pigment starts to break down and the wine loses its staining ability." Lush hopes the book will help others see cleaning crises the way she does: as puzzles. "It's basic chemistry," she says. "The building blocks of everything around you are pretty simple. You just need to look at things...
Fresco is the most durable kind of painting known. It is done in water- soluble pigments on freshly laid sections of damp plaster -- the intonaco. When the plaster dries, the color is literally bonded in. Further touches may be put on a secco, on the dry plaster. The antis believe that some of the darkness of the Sistine ceiling and lunettes was put there by Michelangelo himself, in a dark wash of black pigment in glue size, brushed on after the fresco was dry to give more density to the figures and atmosphere to the space. They think this wash...
...more or less monochrome reptile of old, reveals the most delicate complexities of feathered stroking in green and yellow over reddish tones of shadow. The slow drying of the intonaco gave Michelangelo all the time he needed to correct his shadows without having to use the washes of black pigment and glue size that the critics believe to be his handiwork. And because his retouching was chemically integrated with the plaster, there is no reason to suppose that the solvent AB-57 would remove...
Watercolor is tricky stuff, an amateur's but really a virtuoso's medium. It is the most light-filled of all ways of painting, but its luminosity depends on the white of the paper shining through thin washes of pigment. One has to work from light to dark, not (as with oils) from dark to light. It is hospitable to accident (Homer's seas, skies and Adirondack hills are full of chance blots and free mergings of color) but disaster-prone as well. One slip, and the veil of atmosphere turns into a mud puddle, a garish swamp. The stuff...