Word: pilgrims
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Dates: during 1960-1969
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...Andrew Pilgrim (Fred Clark) is a renowned academic scientist who is deep in debt. He has a handsome offer from a corporation called Baldwin-Nelson. Pilgrim is a kind of disorganization man. He plays the cello and knows all about ultrasonic energy, but he cannot turn off the vacuum cleaner or find his shoelaces. His wife (Ruth White) pens scholarly works on dead languages...
...interviewer from Baldwin-Nelson coming, they decide to act so square that they could pass for cubes. Out goes the cello; in comes a dust-laden TV set. Copies of the Reader's Digest and McCall's are scattered about. "Where'd you get these?" asks Pilgrim in wonderment. "I subscribe to the incinerator," comes the answer...
...Attorney General and later a Supreme Court Justice, whom liberals and conservatives alike dismissed as a hopeless ideologue. In the starry-eyed pursuit of his principles, Murphy occasionally forgot about the real world he was living in. While admitting that Murphy was a "ritualistic liberal" and a "utopian pilgrim," Roche makes a convincing case that no other Justice of the high court in recent times has so consistently championed civil liberties. During World War II, especially, when every other Justice forgot about civil liberties for the duration, Murphy never wavered, and his lone dissent from the decision to incarcerate...
FRICK COLLECTION-Fifth Ave. at 70th. William Blake, faithful to his own visions, could also be true to another's. In 28 watercolors illustrating Pilgrim's Progress, he yielded to the imagination of the writer, drew Bunyan's familiar figures more literally than was his wont, but also less lyrically. Also a drawing done for Milton's Paradise Regained. Through...
...guide his meditations. Nepalese cloth paintings often contain mandalas, magic diagrams of the cosmos without and the self within. One such (see opposite page) focuses on the mighty mediating god, Mahakala, whose blue bulk is crowned and garlanded with severed heads. The worshiper is expected to make a visual pilgrim's progress from the edges of the mandala, where he buries his worldliness in stylized cemeteries showing scenes of torture and immolation. Four godlings representing the cardinal compass points help him purge external reality. At the center Mahakala waits, clutching ritual symbols of self-annihilation: a skull bowl brimming...