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Dramatic Conversion. First in Boston, then in New York as a teen-ager in the early 1940s, he donned a zoot suit and painfully "conked" his hair. He graduated from show-stopping Lindy Hopper to pimp to taker and pusher of marijuana and dope. Malcolm X's scorn for authority, black or white, 30 years ago, presents remarkable parallels to youthful attitudes today. It was not merely that everyone he knew used marijuana and bitterly resented the white cops who tried to deprive them of it. They also regarded World War II as a white establishment disaster, like Viet...

Author: /time Magazine | Title: Books: Malcolm X: History as Hope | 2/23/1970 | See Source »

...lines, as I read my notes, are great. Barnard Hughes as General Fitzhugh (he played the mad revivalist-pimp in Midnight Cowboy ) shoves a Sears Rocbuck size military catalogue in the lap of Nonomura's Prince Gow. "See if there's anything in there that grabs...

Author: By Timothy Carlson, | Title: New York Sheep in the Balcony "Sheep on the Runway," Helen Hayes Theatre, N. Y. C. | 2/13/1970 | See Source »

Charley Fever. This hell away from hell is run by Johnny Williams (Nathan George), a black pimp who is as cold and dangerous as a switchblade. His whores saunter in and out between tricks, and the white one loves him. Johnny wants to challenge the Mafia, which is crimping his style, by assembling a "Black Mafia" to rule his own turf. An ex-con father figure who has gone straight (Walter Jones) warns Johnny that he has contracted "Charley fever" -that is, trying to beat the white man at his own game. The fever inevitably proves fatal, and finally...

Author: /time Magazine | Title: New Plays: Bar Stool in a Black Hell | 5/16/1969 | See Source »

...BLACK community has had to learn to recognize the worth and individuality of each of its members, Williams said. "On one ghetto block, you have a welfare mother, a doctor, a pimp, a lawyer--all jammed together." Conformity is impossible; understanding becomes a necessity...

Author: By Nancy C. Anderson, | Title: A New Power In Roxbury; The Ghetto Means Money | 2/24/1969 | See Source »

...also included-cultural uplift. The opera Die Meisterslinger, composed by the Proposition's music director, John Forster, collated musical strains lifted from numerous operas. The work concerns a family tragically victimized by circumstance and a villainous slumlord. The son of the house, Juan Valdes, is a junky and a pimp, and the daughter Aida turns out to really be ... well, it's not fair to spoil the suspense...

Author: By Deborah R. Waroff, | Title: The Proposition | 7/30/1968 | See Source »

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