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Interviewer Stephen Saltonstall '67 reappears with a splenetic review of In Cold Blood, which he calls a True Detective "pimp...

Author: By William H. Smock, | Title: The Advocate | 4/20/1966 | See Source »

...vascillating attitude toward World War One, presenting the dilemma of a magazine that simply couldn't decide whether it wanted to be a liberal government's House-organ or a conservative administration's shrill and ineffectual opponent. There's a fine chapter on Colonel House himself, the intellectual pimp of Wilsonian progressivism, and his relations with the journalist Lincoln Colcord. Lincoin Steffens is taken to pieces for walking into his "scientific" study of corruption with pretty clear notions of what he was going to find, then kindly put back together again for the, "humility" he apparently evinced...

Author: NO WRITER ATTRIBUTED | Title: A Family Portrait | 8/16/1965 | See Source »

...next two and a half hours, Zorba directs his master on a plunge to utter ruin. First, Zorba causes the mine to cave in. Next Zorba plays pimp and pushes Bates into a love affair with a local peasant woman. Her violent death at the hands of her fellow villagers soon ends the affair...

Author: By Daniel J. Singal, | Title: Zorba the Greek | 8/5/1965 | See Source »

Sidney Lumet, who directed The Pawnbroker, makes movies of lower-class people moving in atmospheres of filth and crime but still retaining their humanity. Such is the case of Nazemann, a pawnbroker in Spanish Harlem who operates as a fence for a Negro pimp...

Author: By Daniel J. Singal, | Title: The Pawnbroker | 6/16/1965 | See Source »

...might wonder though how a simple pawnbroker like Nazemann could have the intellectual capacity to analyze his experience in the manner that true tragedy demands. But we must remember that Nazemann has fallen in life and we arrive at his story in medias res. The pimp he works for calls him "professor," and it vaguely suggested in other places that he once held such a position. Lumet's failure to clarify this point or indeed to provide his audience with a strong picture of Nazemann before his fall constitutes a major flaw of the film...

Author: By Daniel J. Singal, | Title: The Pawnbroker | 6/16/1965 | See Source »

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