Word: pimp
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...Greek and Trojan warriors that Homer and others sang of. The proper names are retained--Priam, Hector, Aeneas, Achilles, Ulysses, and the rent--but any further resemblances are purely coincidental. Cressida does not even exist in the Illad; and the sagittarial hero-god Pandarus was not debased into a pimp until Boccaccio latched onto...
...Booster, and danced not the Charleston but a fandango along the gutters, in the brothels, bistros and mansards of Montparnasse. In telling about it all. he establishes the hardly original thesis that being broke is very hard work and that panhandling-working as cut-rate gigolo, or becoming valet-pimp to a parsimonious Parsee-can involve more shame and chicanery than the whole career of a Babbitt or a Cash McCall...
...group. Some of the leaders of the Muslim movement have criminal records. Elijah Muhammad (whose "slave-master name" was Elijah Poole), high priest of the Muslims, served three years for draft dodging in World War II. Malcolm X (ne Little), leader of Harlem's Muslims, is a former pimp, who has been arrested for larceny in two states. Says Dr. C. Eric Lincoln, professor of social philosophy at Atlanta's Clark College and an authority on Muslims: "The prisons are made to order for Muhammad. Nine times out of ten, the potential convert was arrested by a white...
...formula is almost completely predictable. If a woman in a Brecht play tells a man that she loves him, the odds are overwhelming that within minutes she will turn whore or he pimp; if someone puts money in his pocket, probably stolen, someone else will steal it; if a character speaks of honor, loyalty, progress-and particularly religion-chances are that he is merely masking a corrupt and greedy deal. This kind of unrelieved, often naive cynicism, heavily tinged with Marxism, has defeated many another writer. But at his best Brecht has risen above it and fashioned a rich, varied...
...Joan Littlewood likes to fill her theater with the smell of cold porridge and soft coal. her stage with people of small means and great imagination. She likes her characters to rub hips with spivs, tarts, pansies and drunks, in whose vernacular a whore is a brass and a pimp is a ponce (one song in Fings Ain't What They Used to Be is called The Student Ponce). But while a Tennessee Williams plumbs similar material to draw interior diagrams of crippled psyches, and a John Osborne casts about in it for new glooms and repeated angers. Littlewood...