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...film's mode might be described as bargain-basement Graham Greene. The hero, an American expatriate named Jack Flowers (Ben Gazzara), is a pimp who, irony of ironies, has a heart of gold. Jack cares for his clients and his employees, provides for his friends, avoids depraved sex and even talks to cats. He is the proverbial good man in a bad time (1971, approaching the end of Viet Nam) and a first-class bore. Even his day-to-day working life lacks thrills. Most of the time Gazzara just wanders about aimlessly with a rueful grin plastered...

Author: /time Magazine | Title: Cinema: Odd Man Out | 5/21/1979 | See Source »

Most of the team appreciates the humor as Mack explained, "Coglin will come down to the pool dressed in a pimp's outfit or big ski boots and everyone will just...

Author: By Nell Scovell, | Title: Coglin Takes on All and 'Always Wins' | 3/17/1979 | See Source »

...together, the new episodes have a more lurid color than the old ones. In one, Elizabeth (the stunning Nicola Pagett) discovers that her poet husband (Ian Ogilvy) is impotent, at least as far as women are concerned. Turning pimp, he persuades his publisher to perform his husbandly duties upstairs while he reads his drivel to a party in the drawing room. In another, Sarah (Pauline Collins), who has quit her downstairs job, returns to disrupt the other servants with seances and other outlandish acts. It is hinted that she and Rose (Jean Marsh, co-creator of the series...

Author: /time Magazine | Title: Television: Return to Eaton Place | 1/15/1979 | See Source »

...made to be a survivor of Auschwitz, an agnos tic Jew who clings to the ceremonies of her religion in a basement shrine. Momo is not just an abandoned child; he is the son (as one of the film's stagier scenes reveals) of a psychotic pimp who murdered the child's prostitute mother. Momo and Rosa not only get a little help from their friends, they are supported by a black transsexual whore who displays the customary heart of gold...

Author: /time Magazine | Title: Cinema: Even an Oscar Would Weep | 4/17/1978 | See Source »

...Mammy? Of Aunt Jemima?) Why are black families so often shown to be in screaming turmoil, the air bruised with insults? Why are there not black images of success through education and accomplishment, instead of the old Amos 'n' Andy routines of chicanery or the newer, grittier pimp-flash and hustle...

Author: /time Magazine | Title: Time Essay: Blacks on TV: A Disturbing Image | 3/27/1978 | See Source »

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