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OUTSIDE the White House, carpenters banged together sturdy planks of high-grade pine to construct the inaugural-parade reviewing stand. With far less noise and motion, the man who will take the salute on Jan. 20 was also building, and also using first-rate materials. President-elect Richard Nixon, having picked most of his administrative staff, began to select policymakers...

Author: /time Magazine | Title: Nation: CONSTRUCTION AND REFORM | 12/13/1968 | See Source »

...three-story cream-colored chalet, with its red-tiled roof, sits on a knoll in a one-acre garden of pine and chestnut trees. Those who have been inside the villa describe its furnishings as "early Mussolini-pretty ugly stuff." In the entrance stand a wooden cupboard, a nondescript sofa and a desk manned by a Frenchman who appears to be a security man assigned by the French Communist Party. In the second-floor salon where Madame Binh has her office and receives visitors, the original pictures have been taken down (with the hooks left hanging), and portraits of N.L.F...

Author: /time Magazine | Title: Diplomacy: The Front in Paris | 12/6/1968 | See Source »

...THING you become immediately aware of as soon as you step out and fall is the peculiar relationship you have to the airplane. You want the airplane, you long for the airplane, you almost helplessly pine for the airplane. You want it because it is the last thing you could understand...

Author: By John G. Short, | Title: On Jumping Out of Airplanes | 11/21/1968 | See Source »

...skiers, snow is white gold. Until it falls, they are a frustrated lot, all booted up, geared, waxed, with nowhere to go. Some skiers have tried to get in condition early by skiing on sand, pine needles or hay ? all far from satisfactory...

Author: /time Magazine | Title: Recreation: Snowless Skiing, Iceless Skating | 11/15/1968 | See Source »

Wang Meng (ca. 1309-1385), one of the four great wen-jen masters, reduced his Scholar in a Pavilion Under Pine Trees to a ropily textured, rolling composition peppered with the dots that were his particular brushwork "signature." While the finished composition may seem to Western eyes much like other Chinese paintings, to scholars it is as different from the Sung realists as a Jackson Pollock from an Andrew Wyeth. It is also peculiarly modern. Says Cleveland's Lee: "At the heart of the whole modern concept of painting is the premise that technical skill is something almost anyone...

Author: /time Magazine | Title: Art: An Age of Innovation and Withdrawal | 10/4/1968 | See Source »

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