Word: pinkness
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...going to miss a lot of things when I leave Seoul. I’ll miss green tea ice cream and jjimtang chicken. I’ll miss being obligation-free after 6p.m. I’ll even miss living in "the Pink Zone"—a.k.a. the area surrounding Ewha Womens University. But most of all, I’ll miss the people I’ve grown close to over the past two months...
...Hollywood director and the suburban-Connecticut teenager exchanged handwritten letters once a month for two years. Byrne Fields learned to drive; Hughes made Ferris Bueller's Day Off. Byrne Fields and her mother moved in with her stepfather; Hughes sent her the script for his new film, Pretty in Pink. When the movie came out, Byrne Fields reviewed it for her school newspaper. "I gave it a bad review," she says. "I told him that Andrew McCarthy was bland." (See the top 10 John Hughes moments...
...view. Populated by ethnic Georgians before the 2008 war, the village is now empty. Every house has been demolished and the villagers have all fled to Georgia. Plants grow between the heaps of bricks and stone. The school, which had been recently repaired before the war, today stands faded pink and windowless. Looters, whom locals claim do not exist, have stripped the place - even digging the wiring out of the walls. They have taken everything but the Georgian-language textbooks...
...Hughes showed teenagers that light, with a rose-tinted glow. His Molly trilogy - Sixteen Candles, The Breakfast Club and Pretty in Pink, all starring actual teen Molly Ringwald - mined the emotional convulsions that make every kid feel he or she is the first lonely explorer on the dark side of the moon. In his mid-30s, Hughes got spookily in sync with the swooning narcissism of adolescence: that teachers are torturers; that parents are sweet but don't quite understand; that friends and lovers are two distinct species, one domestic, one alien; that I feel all these things...
...Culkin) stranded solo at Christmas, and its two sequels. Note that the protagonists of these films kept getting younger; Hughes was writing his emotional autobiography backward, like a sitcom Benjamin Button. "Oh, why can't we start old and get younger?" 30-something Annie Potts cries in Pretty in Pink. That was Hughes' writing plan. And when he had exhausted the human family, from dad to teen to little kid, he moved down to canines: a bunch of slapdash farces about Beethoven the slobbering St. Bernard - climaxing, naturally, with Beethoven's Fifth...