Word: pinks
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Dates: during 1930-1939
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...last year Artist Carroll, who likes to ride with the Old Chatham Hunt Club, has been kept at his painting by his wife, Georgia, despite the acquisition of a fine white Irish hunter. Last week the Rehn Galleries hung a fresh collection of Carroll's diaphanous, warm, pink nudes, glinting pickaninny-like Negresses, superbly deft drawings. Done with less delicacy and more fire than usual were Blacksmith, a composition reminiscent of Franklin Watkins, and Deep Down Blue, a black girl rolling her eyeballs in a voodoo dance. Biggest & best designed picture: Summer Afternoon (see cut), a wispy girl putting...
...Good Good --10 17 Lincoln, N.H. Good Good --2 21 Littleton, N.H. Good Good --2 20 Monad. Reg., N.H. Good Good 12 20 N'wf'nd Reg., N.H. Good Good 12 10 No. Conway, N.H. Good Good 0 19 No. W'dst'ck, N.H. Good Good --2 26 Pink'm Ntch, N.H. Good Good --6 27 Plymouth, N.H. Good Good --6 27 Stowe, Vt. Good Good --8 10 Sun'pee Reg., N.H. Good Good 4 12 Tam. Region, N.H. Good Good 20 22 Warren, N.H. Good Good 10 20 W't'rv'le Val., N.H. Good Good --12 30 Whitefield...
...things amuse the Australians. One was a comedian named George K. Fortescue. A massive man, he paced the boards in an opéra bouffe of the 90s wearing a gargantuan pink ballet skirt edged with pompons, roaring out feminine lines in full bass. So thoroughly did he delight the fun-loving citizens of Sydney, they gave him an indigenous and characteristic present: a robe made from 80 pelts of the weird duckbill, or platypus. There seems to have been none like it before or since...
...both: It's no go the picture palace; it's no go the stadium, It's no go the country cot with a pot of pink geraniums. It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever...
...sharp-eyed scout for Leicester Galleries wandered into the Galeries Zak in Paris and saw six pictures by a young German girl, just purchased by Mme Zak. Painted in monotones of grey, tan and pink, in a style heavily reminiscent of Marie Laurencin and spiced with Degas and Renoir, were pictures in a musicomedy adaptation of 1900 costumes: drinking at cafes, riding on merry-go-rounds, many another simplified scene. Almost immediately the artist, 26-year-old, blonde Suzanne Eisendieck, became a ward of the Leicester Galleries, and a story straight out of La Vie de Boheme turned toward...