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Word: pinks (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...making, to take her home. But on the way did run out of gas; and it was a cold and we were far from any station, it did seem. Whereupon we did seek information at the nearest house: Wherein, after much knocking and waiting, a nice old lady in pink night gown did come and ask us "Dear Ones" into the parlor: "Abner will be right down". "Abner", coat over night shirt, did come almost immediately. I did feel most funny when he did ask me for my "license". He, I found, being hard of hearing, I did have...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 1/27/1936 | See Source »

Strike Me Pink (Samuel Goldwyn). In the process of establishing himself as a Hollywood reincarnation of Florenz Ziegfeld, Producer Sam Goldwyn, who says he does not care how much a picture costs so long as it pleases Mrs. Goldwyn, expended more than usual pains on Strike Me Pink. He had the script, made from a Saturday Evening Post story by Clarence Budington Kelland, worked over by 14 writers in teams of two. He cut out a $100,000 dance sequence because it made the picture too long. He added a $75,000 episode to the plot because it made...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 27, 1936 | 1/27/1936 | See Source »

Through the first two-thirds of the picture, Eddie Cantor, as Eddie Pink, a timid amusement-park manager embroiled with slot-machine racketeers, gives a fair imitation of Chaplin's famed characterization of a peewee battling gaily against overwhelming destiny. The last third of the picture is a chase in the classic Keystone tradition, starting when the racketeers, dressed in policemen's uniforms, pursue Eddie Pink around a roller coaster, and ending when Eddie and his Greek bodyguard (Parkya-karkus) find themselves trapped in a captive balloon. Eddie escapes by falling into an acrobats...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 27, 1936 | 1/27/1936 | See Source »

What makes Strike Me Pink slightly superior to its more recent predecessors in the series of pictures made by Cantor and Goldwyn is not so much the elaborate production numbers, in which the Goldwyn Girls function as decoratively as usual, but the activities of an animated young woman named Ethel Merman. Long familiar to Manhattan stage audiences, Ethel Merman's previous cinema appearances have been trifling and unimpressive. In Strike Me Pink, cast as a cabaret entertainer who nearly demolishes Eddie Pink's romance with a wholesome blonde (Sally Eilers), she comes into her own, sings all three...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 27, 1936 | 1/27/1936 | See Source »

...weekly call. Last week Mrs. Fisher had a birthday. Present at a reception in Brother Lawrence's house, largest of the seven large Fisher houses, were three Fisher sisters, 60 Fisher relatives, 90 other guests. In the pillared ballroom. Mother Fisher beamed upon a six-tiered. pink-&-white birthday cake topped with 79 candles. California's white-haired Representative John Steven McGroarty, poet laureate of his State and Congressional marshal of the Townsend Plan, lost his $100 overcoat in the House cloakroom. Cried...

Author: /time Magazine | Title: People, Jan. 20, 1936 | 1/20/1936 | See Source »

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