Word: pinks
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...same way that he was turned off by harsh contrast in black-and-white pictures, he disliked strident color. What he was after were tones, colors you can't put a name to, indeterminate registers that shift in the retina and brain. Even his sunsets were powder-puff pink. (Read "The Old Master of Majesty Ansel Adams...
...epic gray goatee--and was forever hitching up his too baggy pants. This unforgettable appearance made him a perfect point man for a WWF marketing venture dubbed the Rock 'n' Wrestling Connection, a cross-promotion in which Albano popped up in several Lauper music videos, while the pink-haired singer in turn graced numerous WWF broadcasts. The effort is credited with propelling the WWF (now the WWE) to widespread popularity...
...retrospect, the drug-hazed guitar smashing of Kurt Cobain and ’90s Seattle grunge seems like the equivalent of pink bunny slippers compared to what his contemporaries in Norway were up to. Scandinavia’s coldest country made headlines last decade for its thriving second wave black metal scene—as bands like Mayhem and Gorgoroth drove concert-goers to frenzied bliss with wave after wave of shrieking vocals, aggressive tremolo-picking, and guitar-riffing distortion, some misguided fans went out to burn churches and commit savagely ritualistic murders, citing the music as an influence. When...
...otherwise known as Erlend Øye and Eirik Glambek Bøe—have found the most commercial success. Critical acclaim up to this point has been well-deserved: their delicate guitar strumming, occasionally infused with piano, horns, and violin, channels the pared-down acoustics of Pink Moon-era Nick Drake and warm harmonizing of Simon & Garfunkel into gentle, unassumingly beautiful melodies. Øye, the Paul Simon of the pair, sings in a slightly accented baritone about girls he’s once known or wishes he had; Bøe backs him up with a softer...
...grant that a lot of O'Keeffe's work invites those readings. When you're faced with the labial purple coils of a painting like Music, Pink and Blue No. 2, from 1918, what else can you think about? But what's so refreshing about the Whitney show - which runs through Jan. 17, then moves to Washington and Santa Fe, N.M. - is the way it spares us O'Keeffe the Earth Mother and points us back to the endlessly inventive formalist she remained, intermittently, to the end of her life...