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...crunch. When disaster struck in Dallas on Nov. 22, 1963, those who saw her said she was tearless, perhaps spacy, "with a 50-yard stare." But she knew what she had to do to fulfill her commitment to her husband, her children and her country. Her bright pink suit was soiled with blood and gray matter, but she would not change it or leave John F. Kennedy's body...

Author: /time Magazine | Title: Jacqueline Onassis: A Profile in Courage | 5/30/1994 | See Source »

...Dallas on a political fence-mending trip in a state the Democrats had barely won in 1960. The shots rang out as they endured a hot motorcade trip across town. Afterward many people tried to persuade Jackie to change her clothes, but she insisted on wearing the stained pink suit. "I want them to see what they have done," she said. She also refused to take tranquilizers, fearing they would blunt her reactions and interfere with her planning -- because plan the funeral she did. The riderless horse, the eternal flame, the wailing Irish bagpipe -- all were her idea. When...

Author: /time Magazine | Title: Jacqueline Onassis: A Profile in Courage | 5/30/1994 | See Source »

What De Kooning found at the end of this highway, however, when he moved permanently to Long Island in 1963, was mostly suds and mayonnaise. The long $ series of pink squidgy pictures -- landscapes, nudes splayed like frogs in memory of Dubuffet, and female clam diggers -- that issued from his studio over the next 15 years was lush and trivial. The drawing is submerged in weak, declamatory, wambling brushstrokes; the color -- mostly pink -- is bright and boring. Yet you could never write De Kooning off. He came back in the late '70s with some big, rapturously congested landscape-body images with...

Author: /time Magazine | Title: ART: Seeing the Face in the Fire | 5/30/1994 | See Source »

Hearing the first few minutes of The Division Bell, the new album by Pink Floyd that stayed at No. 1 on the Billboard charts for four weeks, a listener has a distinct sense of deja vu. Mysterious rumbling noises on Cluster One, the first song, set a cosmic tone, and then comes What Do You Want from Me, with its languid beat and spare, spaced-out ambiance. It all seems reminiscent of the band's 1973 album Dark Side of the Moon, which sold more than 15 million copies and stayed on Billboard's Top 200 album chart...

Author: /time Magazine | Title: MUSIC: The Band That Wouldn't Die | 5/30/1994 | See Source »

...fourth number, an instrumental called Marooned, the record veers off into a morass of sustained piano chords, droning synthesizers and gimmicky sound effects. The aural tricks that seemed so daring on earlier Pink Floyd disks -- running footsteps, echoing guitars -- are now impossibly dated and predictable. Even worse are the lyrics, which rarely rise above the sentiments of a greeting card. "Her love rains down on me easy as the breeze," guitarist David Gilmour sings on Take It Back. "I listen to her breathing it sounds like the waves on the sea." Only Keep Talking, propelled by interlocking guitars, manages...

Author: /time Magazine | Title: MUSIC: The Band That Wouldn't Die | 5/30/1994 | See Source »

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