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BLAKE EDWARDS, the ads tell us, is "the man who painted the panther pink," and put Ravel's Bolero on Billboard's Top Forty. Yet before reviving The Pink Panther, Edwards sired a series of flops that turned Hollywood against him. No longer able to make films on the West Coast, Edwards produced the Panther series in Europe. From the height of his knowledge about Tinsel Town, Edwards, with all credibility now restored, takes a pot shot at Hollywood--the angry gesture, it would seem, of a much maliened...

Author: By Laura K. Jereski, | Title: Sour Grapes | 7/21/1981 | See Source »

Every Thursday afternoon the ritual of protest is repeated in front of Argentina's presidential Pink House in central Buenos Aires. A small group of women gather in the Plaza de Mayo under the watchful eyes of blue-uniformed police. There, for 30 minutes or so, the women walk in a large circle. There is no sound but their footsteps. Occasionally, the women may try to present a petition at the government building; almost always they are rebuffed. Then they disperse, returning to take up their vigil the following week...

Author: /time Magazine | Title: Argentina: Living with Ghosts | 7/20/1981 | See Source »

...since become, with some disgruntlement, a city full of outsiders-many of them cosmopolitan and gifted. Neil Simon and his actress wife Marsha Mason have taken a house. So has Movie Actress Amy Irving. Watergate Figure John Ehrlichman, now a writer, frequents the bar of the fashionable, crowded Pink Adobe restaurant. According to the weekly Santa Fe Reporter, the town supports 25 to 30 fast-food restaurants and an astonishing 70 art galleries. The coyly named shops (Señor Murphy Candymaker) could be in Winter Park, Fla., or La Jolla, Calif., or a handful of other Sunbelt centers...

Author: /time Magazine | Title: Show Business: Salzburg of the Southwest | 7/13/1981 | See Source »

Blake Edwards is a lucky s.o.b. He is finally rich enough to support his career-long addiction to anger. The riches come from his Pink Panther films and "10. "The anger reached nearly self-destructive heights in the early '70s when, after making a string of hits (Breakfast at Tiffany's, Days of Wine and Roses, A Shot in the Dark), he suffered an equal number of flops (Darling Lili, Wild Rovers, The Carey Treatment). These pictures, he insists, were sabotaged from conception to cutting room by studio production chiefs: Robert Evans, of Paramount, where Lili was made...

Author: /time Magazine | Title: Cinema: Biting the Hand of Hollywood | 7/13/1981 | See Source »

Into their midst come 16 tiny ballerinas in bright pink tutus, burrowing through the lines, frowning with determination...

Author: /time Magazine | Title: Dance: To Tchaikovsky, a Rousing Tribute | 6/22/1981 | See Source »

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