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...noon, many people gathered at the Grand Hotel, a pink elephant of a building with a view over the port (impressively clean) and the Royal Palace (depressingly severe). The reason was simple. The U.S. Population Institute served a delicious free lunch there: marinated river salmon with sweet mustard, herring in fresh cream, tiny meat balls, thick slices of rare roast beef. To ask an environmentalist to dine, however, is to ask for trouble. Dr. Samuel Epstein, the Cleveland toxicologist who first warned of the harmful effects of the detergent component nitrilotriacetic acid (NTA), contended that the beef was full...

Author: /time Magazine | Title: Environment: A Stockholm Notebook | 6/26/1972 | See Source »

...stadium stands, thousands of youngsters flipped color cards to form a pictorial backdrop for another 45,000 youngsters performing ballet and theatrical maneuvers, including realistic battle scenes from the Korean War. Thousands of other Pyongyang residents, carrying pink paper flowers, watched the spectacle: "The two-hour performance included a series of nearly 200 mosaics," wrote Salisbury, "that made those half-time card spectacles at Big Ten football games look like amateur night...

Author: /time Magazine | Title: The World: The Big Ten Looks Like Amateur Night | 6/19/1972 | See Source »

...seek her help in detecting illness; several reputable doctors in the area bring patients to her for diagnostic clues. Her information, in true spiritualist tradition, comes from "spirit guides," friendly sources on the "spirit side" who offer secret information to the "earth plane." On Sundays, standing in a pink chiffon dress in her pulpit, Bonnie will call out, "I want to talk to the lady in the pretty white dress. Those on the spirit side tell me to pass on to you a message not to worry about your lower back." To another woman: "Your husband has applied...

Author: /time Magazine | Title: The Occult: A Substitute Faith | 6/19/1972 | See Source »

...traditional painter, to the extent that he works in intimate, stroke-by-stroke contact with his painting. Brush marks pile on one another, forming a layered web of minutely graded pigment. (Some times the crust gets so thick that it is physically unwieldy: one large canvas in the show, Pink Fire, has 450 lbs. of paint on it.) The effect is not of a grand abstract-expressionist gesture, but rather a quiet, inexorable accumulation of incidents...

Author: /time Magazine | Title: Art: An Iron Will to Form | 5/29/1972 | See Source »

Light drifts slowly up through the paint and glows silently on the surface. Paintings that seem monochrome - Resnick's work always has one dominant color, whether cobalt blue, pink or a peculiarly sensuous acid green - disclose, on study, fascinating inflections and qualifications. These nuances constitute a structure. Resnick's paintings, unlike those of some so-called "lyrical abstractionists" 20 years his junior, never go soft or flossy; they are controlled by an iron will to form. Except that the forms do not become explicit; they remain stored in the pigment like warmth in stone. · Robert Hughes

Author: /time Magazine | Title: Art: An Iron Will to Form | 5/29/1972 | See Source »

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