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...anthropomorphize their tools. Tom Allison, 25, a Coca-Cola executive in Atlanta, is convinced that his computer is feminine. "She keeps cutting me off at the most inopportune times," he complains. A programmer in Los Angeles will not feed blue cards into his computer-he feels she deserves pink. Seymour Greenfield, a research manager for the military DRC-44 computer program at Dynamics Research Corp. near Boston, complicates the matter further, " I hired everyone building the computer by the zodiac signs under which they were born," he says. As a Leo, he has prejudices. "I hired two Cancer...

Author: /time Magazine | Title: Essay: THAT NEW BLACK MAGIC | 9/27/1968 | See Source »

MUSIC FROM BIG PINK (Capitol). The band from Big Pink (their home in West Saugerties, N.Y.) plays the best, bone-clean "white soul" anywhere. Along with their musicianship, a lack of self-indulgence plays a large part in the beauty of their sound. The singing is as loose as a hired field hand's and is exactly right on each cut. With The Weight, they pay their debt to country gospel music and then some. The bring-it-on-home chorus, "Take a load off Fanny, take a load for free,/Take a load off Fanny...

Author: /time Magazine | Title: Television: Sep. 20, 1968 | 9/20/1968 | See Source »

...members of the mounted Guarda Nacional Republicana were on hand at the Quinta do Vinagre: inside, 200 blue-liveried servants passed around flutes of champagne and a midnight snack of lobster salad. All night, the local Portuguese crowded to get a closer look at Gina Lollobrigida in a plunging pink ballgown, the Begum Aga Khan's colossal diamond necklace and Sukarno's ex-wife Ratna Sari Dewi in a tight red gown. Someone remembered that it was Henry Ford II's 51st birthday, and everyone sang "Happy Birthday, dear Henry," while he blew out the candles...

Author: /time Magazine | Title: Spectacles: See You in Portugal | 9/13/1968 | See Source »

...different from the rock sound, which is more wild and vivid. Two of the songs in Big Pink do have a little bit of anger in them that the others don't have. It is interesting that these are the two written with Dylan. "Tears of Rage" and "This Wheel's on Fire" give a hint of how Dylan got from Blond on Blond to John Wesley Harding...

Author: By Jeffrey R. Wohlgethan, | Title: Big Pink | 8/16/1968 | See Source »

...Dylan this song is a transition to a new form, and it fits nicely with the band's own songs. The Big Pink sound is not as glamorous as straight rock, but its simple folk flavor, spiced with a hint of rock, is a welcome change...

Author: By Jeffrey R. Wohlgethan, | Title: Big Pink | 8/16/1968 | See Source »

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