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Word: pinocchios (lookup in dictionary) (lookup stats)
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...Restaurant on Holyoke St., and Harvard House of Pizza on Mass Ave. near the Quadrangle Houses are probably the best bets. The 24, which also serves Greek food and grinders, is more generous with the cheese and the crust, but Harvard's pizzas are larger in diameter. Pinocchio's at 74 Winthrop St. features a thick crust, but some feel it also features too much grease...

Author: NO WRITER ATTRIBUTED | Title: Bars And the Like | 9/16/1974 | See Source »

...Crimson review of pizza last year touched off a "debate," as the pizza gourmets came out of the woodwork to defend their favorites. Joe's Pizza at 1 Linden St., and its sister shop on Plympton St., feature a thin crust. Pinocchio's at 74 Winthrop St. sells subs and pizza; most people who like a thicker crust frequent Pinocchio...

Author: NO WRITER ATTRIBUTED | Title: A Glutton's Guide to the Square | 7/1/1974 | See Source »

...with a Manhattan window-display house, where he constructed papier-mache and plaster models, including Snow White and the seven dwarfs. "It was the schlock of the 1930s that made up my creative mentality," says Sendak. He continues: "Two years ago, I saw Walt Disney's Pinocchio and loved it, even though the Blue Fairy looked like Joan Bennett and Cleo the Goldfish looked like a drag queen...

Author: /time Magazine | Title: Books: A Happy Year to Be Grimm | 12/10/1973 | See Source »

...more clearly than anything written before the intricacy of the collaboration that went on in the studio in its earlier and better years. Finch resurrects from anonymity or near oblivion such artists and animators as Fred Moore, Bill Tytla and the abundantly gifted Albert Hurter, the presiding influence on Pinocchio. Hurter's pencil roughs and details exuded an essence of buckeye surrealism that got into gallery art only decades later-and then through Claes Oldenburg, who had himself worked at Disneyland...

Author: /time Magazine | Title: Time Essay: Disney: Mousebrow to Highbrow | 10/15/1973 | See Source »

...rattishness, Donald Duck of his foul and treacherous temper, the Disney studio had no qualms about ruining Alice in Wonderland or Kipling's Jungle Book for the kids as well. Yet within the natural bounds of his style, especially up to the late '30s and his masterpiece Pinocchio, Disney repeatedly pulled sequences and single images that seem destined to survive as long as the history of cinema itself: the hilarious ballet of hippos, crocodiles and bemused ostrich in Fantasia, the terrifying image of little Jiminy Cricket perched on the eyeball of Monstro the Whale in Pinocchio, the sight...

Author: /time Magazine | Title: Time Essay: Disney: Mousebrow to Highbrow | 10/15/1973 | See Source »

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