Word: pinter
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Dates: during 1970-1979
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...LAND by HAROLD PINTER...
...Edwardian salon. John Gielgud, the social-climbing guest, is a failed poet and garrulous pub bore. Host Ralph Richardson is a successful but dipsomaniacal belletrist blimp who keeps two menacing servants to guard against just such intrusions. Together these two titled mandarins of the stage are guiding us into Pinter-land, where words struggle to contain the open-ended flux of existence. Our journey through it is brilliantly illuminated by their partnership...
...Land. Harold Pinter's new play at Britain's National Theater in London, explores the paradox between chillingly inflexible ideas and a reality so ephemeral that it may be false, and often is. What turns this grandiose philosophical dilemma into exhilarating theater is the fact that the play is very funny. Under Peter Hall's deft direction, the ominous and reflective pauses are delivered with timing and double takes of Jack Benny standard...
...stylistics, Kael states. "This time [Cassavetes, the director] abandons his handsome, grainy simulated cinema-verite style." Stephen states: "The only scene of Nick at work is shot in the handsome, grainy, cinema-verite style characteristic of Cassavetes's earlier work." Kael closes her article by comparing Cassavetes to Harold Pinter: "[Cassavetes's] special talent--it links his work to Pinter's--is for showing intense suffering from nameless causes." Stephen, towards the end of his review, states, "Cassavetes's admirers compare his home-movie method to Harold Pinter's drama...
...Laing and Gregory Bateson have sought to popularize it would be difficult to ignore the fact that A Woman Under the Influence is based on those theorists' work, if not an exegesis of it. Also, many observers--including Miss Kael, to whom I was referring--have compared Cassavetes to Pinter...