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...aristocrat is the servant of his passions; the servant is the master of his master. A reversal of roles is certainly central to Harold Pinter's screenplay in The Servant. But Pinter and director Joseph Losey hint at much more--and hint is about all they do--for while milord falls from high estate, diabolical manservant wages war with snooty girlfriend, and the gentleman is more the pawn than the prize. The meaning of the conflict? Well--it's hard...

Author: By Ben W. Heineman, | Title: The Servant | 4/15/1964 | See Source »

...Servant is a magnificent set piece. Brandy glasses, silk scarves, statuary, flowers, and portraits are lovingly and delicately photographed. But Losey's control does not extend to the whole film. Ironically, he and Pinter are not the masters of their material...

Author: By Ben W. Heineman, | Title: The Servant | 4/15/1964 | See Source »

...GUEST. Donald Pleasence brilliantly repeats his stage role as a ranting old derelict in the film adaptation of Harold Pinter's The Caretaker...

Author: /time Magazine | Title: Television: Apr. 10, 1964 | 4/10/1964 | See Source »

...GUEST. The screen version of Harold Pinter's drama (The Caretaker) retains its major asset, Donald Pleasence, still seedily eloquent in the title role...

Author: /time Magazine | Title: Television: Mar. 27, 1964 | 3/27/1964 | See Source »

...this point, The Servant earns A-l references. Playwright Harold Pinter, debuting as a scenarist, writes such deadly efficient dialogue that even talk about the weather sounds ominous. And Losey's camera works every angle, scooting upstairs and down, bobbing from floor to ceiling, peering over banisters. Like an evil-minded snoop, it catches all: every secret glance and unguarded gesture, every telltale truth. Only occasionally does the technique become selfconscious, with one too many shots into rain puddles or oval mirrors...

Author: /time Magazine | Title: Cinema: A Gentleman's Downfall | 3/20/1964 | See Source »

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