Search Details

Word: pinter (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...CONTINENTS. For Hall, it has been a rough year on the roller coaster of notoriety, after triumphs in 1982 at the National (including Harold Pinter's Other Places) and the Glyndebourne Festival Opera (where Hall directed Orfeo et Eurydice). But last November he staged Verdi's Macbeth at New York City's Metropolitan Opera to a gang of mostly abusive reviews. Then this summer Hall premiered his production of The Ring of the Nibelung at Bayreuth, and things were no sunnier there. The work opened to bad reviews and an audience that sounded, as one reviewer wrote...

Author: /time Magazine | Title: Show Business: The Perils of Being Sir Peter | 12/19/1983 | See Source »

...PINTER ANGRILY QUITS N.T., SCORES

Author: /time Magazine | Title: Show Business: The Perils of Being Sir Peter | 12/19/1983 | See Source »

...early years he was the middle-class Everyman, shuffling toward archetype with good will and capacious common sense. But as he aged, his characters turned imperious and, in spite of their power, ineffectual. In David Storey's Home (1970), John Osborne's West of Suez (1971) and Harold Pinter's No Man's Land (1975) and in the films The Heiress (1950) and Long Day's Journey into Night (1962), Richardson found his ideal role: as the haughty burgher whose tragic flaw lies in realizing too late that he is not quite a tragic figure. Though he never played Lear...

Author: /time Magazine | Title: Everyman as Tragic Hero: Sir Ralph Richardson, 1902-1983 | 10/24/1983 | See Source »

...Pinter's vision of an oppressive world comes through in The Caretaker's staging, which takes up most of the space in the theater. Surrounded on three sides by the audience, the characters employ all sections of the stage. The actresses make excellent use of the props and the stage even when the audience is one foot away from their faces, they never blink out of character. Their costumes match their personalities, which are intense and never letting...

Author: By Rebecca J. Joseph, | Title: Bummed | 7/1/1983 | See Source »

...despite the excellent staging of the play, everything seems diluted by the incomprehensible material. The plot lacks coherence as we question why the characters' lives are so low and slovenly. The world outside their one room is hazy and vague so we don't feel the oppressive world Pinter tries so hard to create. And in the end we really don't feel as if we have entered their lives because their lives are so inconsequential and difficult to penetrate...

Author: By Rebecca J. Joseph, | Title: Bummed | 7/1/1983 | See Source »

Previous | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | Next