Word: pinter
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...Homecoming is dedicated to curing those play-goers who play "What's your interpretation?" after every performance they see. Within its two acts, Harold Pinter has laid a series of booby-traps and land mines designed to destroy the categorizers, rationalizers and explainers in every audience. The Homecoming is Pinter's declaration of war on our tendency to assume that we know what is real and what is unreal, and on our smug assurance that we can analyze why people act as they...
...play's first act is the teaser, an opportunity for Pinter to play with his audience. Its opening seems typical, and yet, it's not in the "set the scene and characters" mold. Somehow the "characters" never seem to get "set". Is Max a loud-mouthed bastard or a kindly old man? Is Ruth a whore or isn't she? After one puzzlingly suggestive remark by Ruth, Lenny wails--almost as if he spoke for the audience: "Is that a proposition? Damn it, was that a proposition or wasn't it?" We demand that everyone fit in a well-known...
Absurdist playwrights like Ionesco and Pinter have taken as their special province the psychic discordance -both funny and unnerving-that occurs when words are out of sync with reality, as in a dubbed movie. This is at the root of Rooted, the first full-length play by Australia's Alexander Buzo, 28, which is being given its U.S. premiere by Connecticut's Hartford Stage Company. Buzo is no tracing-paper mimic; he is linked to Ionesco and Pinter by an intuitive kinship of mind, spirit and talent...
...Homecoming, Harold Pinter, Marlboro Theater Co. Tues.-Sun. at 8, mat, Sat. and Sun. at 3, $3.50, students...
...RIDE ACROSS LAKE CONSTANCE by PETER HANDKE It is difficult to say what this play means, but relatively easy to tell you how to write it. Rip out pages from lonesco, Pinter, Beckett, Kafka, the Austrian philosopher Wittgenstein and Alice in Wonderland. Tear these into tiny fragments and scatter them on the stage. Austrian Playwright Peter Handke, 29, is a derivative word-vandal. He is currently quite the vogue in Europe, which suggests that the decline of the West is progressing more rapidly than Spengler envisioned...