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...PARTY and THE BASEMENT. Harold Pinter provokes a devilishly clever sort of participatory theater in which the playgoer is lured into playing detective without any clues. In Tea Party, a middle-aged manufacturer of bidets is driven into a catatonic state by the interactions of his secretary, his wife and her brother. The Basement has two old friends vying for the affections of a girl with whom they share a basement flat...

Author: /time Magazine | Title: Television: Jan. 3, 1969 | 1/3/1969 | See Source »

...Glass Booth--A stunning piece of theatre about Nazi and Jewish guilt. It may not mean much, but Donald Pleasence's performance as an Eichman figure and Harold Pinter's direction must be seen. Robert Shaw, the actor, wrote it. At the ROYALE, W. 45th...

Author: NO WRITER ATTRIBUTED | Title: Christmas in New York: The Plays to See | 12/20/1968 | See Source »

...Party and The Basement--Harold Pinter's latest and up to snuff. A capable cast includes Valerie French. At the EASTSIDE PLAYHOUSE, E. 74th...

Author: NO WRITER ATTRIBUTED | Title: Christmas in New York: The Plays to See | 12/20/1968 | See Source »

...play them so fast we lose track. Back and forth, one by one every character confronts every other and asks point-blank "Why didn't you love me?" And one by one, tediously, every character replies in the best spirit of medieval modern psychoanalysis. It's as if some Pinter couple, perverted, got its kicks from holding its quarrels in medieval costumes. "You led too many civil wars against me" chuckles Henry opening a beer. "And damn near won the last one!" quips Eleanor in her curler...

Author: By David W. Boorstin, | Title: The Lion in Winter | 12/20/1968 | See Source »

...successes included a muckraking series on the meat-packing industry, a first-rate U.S. TV premiere for Harold Pinter's The Dwarfs, and a colloquy between a group of concerned college students and a melancholy Walter Lippmann. Most important, the lab exposed a not-so-latent racism in U.S. society. There were bitter confrontations between militant blacks and self-righteous whites, stark views of ghetto living conditions, including one film shot and narrated by Gordon Parks, and cutting satire, such as a Negro-slanted aptitude test (sample question: "How long do you cook chitlins?"), By chance...

Author: /time Magazine | Title: Public TV: Last Chance for PBL | 12/6/1968 | See Source »

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