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Word: pinter (lookup in dictionary) (lookup stats)
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...BIRTHDAY PARTY, by Harold Pinter. A man whose birthday it is not finds himseIf the guest of honor at its celebration and behaves as if he were a corpse at his own wake. Which well might be the case. The early Pinter puzzler is brought to the Broadway stage with an American cast

Author: /time Magazine | Title: Television: Dec. 8, 1967 | 12/8/1967 | See Source »

...Berniers. He looks and acts too young for the part of a many-time failure, even a romantic one. Hugh M. Hill, as Henry Simpson, is, on the other hand, physically perfect for his part. As Hill stalks onto Frank Hartensteins' excellent set, he is a six-feet-something Pinter menace. Delivering even the few lines he has he is not an actor...

Author: By Charles F. Sabel, | Title: Toys in the Attic | 11/18/1967 | See Source »

...BIRTHDAY PARTY is nine years old and Harold Pinter's first full-length play. On Broadway for the first time, it is as highly individualistic, if not as technically poised, as his later works. The playwright cuts through the conventions of accepted stage behavior and the rules of the well-made play to expose the cruel and the comic, the frighteningly familiar and the terrifyingly unknown in each man's existence...

Author: /time Magazine | Title: Television: Nov. 17, 1967 | 11/17/1967 | See Source »

...theaters' desire to nurture new plays and playwrights. Up to now they have been pretty timid about it. The tendency is to cater to the subscribers' varied tastes by dividing a season between classics, proven Broadway hits of recent vintage, and such fashionable avantgardists as lonesco, Beckett, Pinter and the ubiquitous Brecht. More ambitious than most, Los Angeles' Mark Taper Forum is genuinely trying to offer original plays. One such experiment, Oliver Hailey's Who's Happy Now?, opened last week to generally happy notices by local reviewers...

Author: /time Magazine | Title: Repertory: Go West, Young Playwright | 11/17/1967 | See Source »

...relies on stream-of-consciousness techniques and other Joycean devices; yet the symbolism and spirit of the book are unwaveringly African. His play, The Road, which won first prize in the first and only Dakar Festival of Negro Arts, is infused with patterns and dialogue reminiscent of Beckett and Pinter, but the message is uniquely African. A kind of African Waiting for Godot, it concerns a group of drivers, thugs, passengers and autoparts scavengers in a broken-down truck who are dominated by an ex-minister awaiting a revelation. The revelation is that the road itself...

Author: /time Magazine | Title: Off Broadway: Infectious Humanity | 11/17/1967 | See Source »

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