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Word: pinter (lookup in dictionary) (lookup stats)
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...page, metaphysical labyrinth of The Magus-experiments in fiction that endure despite being made into forgettable films. His surprise best seller of 1969, The French Lieutenant's Woman, may be best remembered for the windswept pairing of Meryl Streep and Jeremy Irons in the 1981 screen adaptation by Harold Pinter...

Author: /time Magazine | Title: Milestones | 11/14/2005 | See Source »

...PINTER'S PROGRESS...

Author: /time Magazine | Title: People: Oct. 24, 2005 | 10/16/2005 | See Source »

Having written plays with cheery names like The Birthday Party and The Lover that are in fact the opposite of cheery, HAROLD PINTER, 75, could be thought of as a bit of a downer. But there was nothing grim about his reaction to the news that he had won the Nobel Prize for Literature. The playwright told reporters he was "bowled over" by the $1.3 million award. He didn't mean it literally; the wound on his head came from a recent fall. Here's hoping we'll finally get a Pinteresque award-acceptance speech. Nothing says elation like tense...

Author: /time Magazine | Title: People: Oct. 24, 2005 | 10/16/2005 | See Source »

...stark tale of two people locked inside a shared obsession--and a spare anthology of modern theater. The moral claustrophobia of No Exit, the strange sibling bond of The Glass Menagerie, the guilty sustaining secret of Who's Afraid of Virginia Woolf? and the menacing silences of Harold Pinter all brooded under the skin of Sam Shepard's naturalism. So the film version, which Shepard wrote and stars in, should be an event and not a puzzlement. In "opening up" the play, Robert Altman has dissipated some of its caged-animal tension and replaced it with torpid mannerisms. Eddie (Shepard...

Author: /time Magazine | Title: Cinema: Desert Dust:FOOL FOR LOVE | 6/21/2005 | See Source »

...production and makes every victory seem as surprising in retrospect as it was to him at the time. Few books have so vividly portrayed the initial fragility of what now seem eternal works of dramatic writing. Schneider specifies some literate imbeciles who offhandedly dismissed the talents of Beckett, Harold Pinter and Eugene Ionesco. He recalls how Bert Lahr willfully misread Godot, trying to recast it as one of his old vaudeville routines. He depicts runaway egotism among the stars of Virginia Woolf, one conniving to get her husband hired in place of her leading man, another threatening to quit because...

Author: /time Magazine | Title: Books: Stagecraft ENTRANCES | 6/21/2005 | See Source »

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