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Somewhere in the back of the collective American mind lies a quaint and engaging folk memory that surfaces once a year on Thanksgiving. The Pilgrims. Stouthearted, pious, gray-clad churchmen marching to their meetinghouse with bell-mouthed musket and faith in God. Brave Miles Standish. Gentle Priscilla. "Speak for Yourself John" Alden. The Mayflower Compact, that cornerstone of American democracy. Freedom of worship in a new world...

Author: /time Magazine | Title: Religion: The Pilgrims: Unshakable Myth | 11/30/1970 | See Source »

Separatist Saints. The Mayflower company was, to begin with, no homogenous assembly of pious churchmen, but a mixed bag of cantankerous "saints and strangers"-angry religious rebels and ungodly adventurers who took unseemly pleasure in hurling invective at one another. The "saints" were bona fide revolutionaries-reformers within a Reformation. The Anglican Church under the Stuarts, with its emphasis on bishops and mandated ritual, was for them hardly more pure or godly than the "whore of Rome," as they called the Roman Catholic Church. The Bible should be the only authority, the reformers felt. Some also believed that each congregation...

Author: /time Magazine | Title: Religion: The Pilgrims: Unshakable Myth | 11/30/1970 | See Source »

...races, the Administration misgauged the independence of many voters, who picked and chose in an unusual display of ticket-splitting. Observes TIME Washington Bureau Chief Hugh Sidey: "Never has the American voter so totally thumbed his nose at outside interference, money, buncombe, hate and the lofty lamentations of the pious. Particularly in the last ten days, Nixon's campaign was an appeal to narrowness and selfishness and an insult to the American intelligence. He diminished the presidency...

Author: /time Magazine | Title: Nation: And Now, Looking Toward 1972 | 11/16/1970 | See Source »

...With the pious tales Bergreen is somewhat less at ease. The Pardoner's Tale is a Chaucerian masterpiece because of the power of the image of the old man who waylays the three revelers on their way to conquer death. The old man in the original is the grim figure of death himself. On stage, the impact of his appearance is lost. It is an impossible task for an actor to become death, or the emblem of death. On the printed page, the image is a powerful one. On stage, the figure becomes faintly comic...

Author: By David Keyser, | Title: Theatre Canterbury Tales at the Loeb Ex last weekend | 10/26/1970 | See Source »

...story with a musical accompaniment that is both medieval and reflective. It is a fine touch, and Marie Kohler as St. Cecilia gives a concinving performance. Virginity, however, is no longer an issue, and St. Cecilia's efforts to preserve her maidenhead seem more fit for laughter than for pious reflection...

Author: By David Keyser, | Title: Theatre Canterbury Tales at the Loeb Ex last weekend | 10/26/1970 | See Source »

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