Word: pipeful
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Dates: during 1960-1969
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Although that sounds like a pipe-dream, it conveys the unreality that permeates hippiedom, a cult whose mystique derives essentially from the influence of hallucinogenic drugs. The hippies have popularized a new word, psychedelic, which the Random House...
...Surgeon Edward I. Goldsmith have devised a method to remove most of the flukes. The two reasoned that when a patient is cut open to have his spleen removed, he might as well be rid of the flukes at the same time. They designed a system of tubes to pipe the blood from the vein entering the patient's liver, pumping it through a filter, and returning it to a vein in the leg (see diagram). In order to lure the flukes out of their customary lairs in the intestinal veins, they give patients a single injection of tartar...
Beneath the snowy thatch and the cool, professorial mien, Paul Henry Nitze glowed as warmly as the bowl of his ever-present pipe. "I shall be getting back into what I used to deal with," he said last week. "Back to the policy issues of the day." Back, but with a difference. Nitze, 60, who was nominated by the President to the post of Deputy Defense Secretary, the Pentagon's No. 2 job, will have one of the top policymaking roles in the Administration...
...other styles. Picasso was ripe for ribbing, he felt, because a Picasso "has become a kind of popular object-everyone feels he should have a reproduction of a Picasso in his home." In Woman with I Flowered Hat, Lichtenstein did "an oversimplification of Picasso, a kind of 'plain-pipe-racks' Picasso." Portions of the paintings were stenciled with Lichtenstein's distinctive Benday dots (applied with a toothbrush through a perforated screen) to simulate the effect of commercial printing-and also to remind the viewer that he is looking at the popular notion of a Picasso rather than...
...Daisies is a hippie's pipe dream that looks and sounds like something concocted by a den member of America's own underground cinema clique. Made with Marxism far less than Harpo, the film is not about anything except itself. Two teen-age girls, labeled Marie I and Marie II (Jitka Cerhová and Ivana Karbonová), live like dolls, chattering and giggling, floundering about in their oversized bed, making a shambles of sets and sense. In scenes suffused with unearthly tints and shades, the girls attack each other with scissors and cut off each other...