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...This piquant announcement was in sharp contradiction to a statement earlier in the week when, speaking at the 21st annual banquet of the National Housing Conference in Washington, he reviewed the accomplishments of his seven years in the presidency...

Author: /time Magazine | Title: THE PRESIDENCY: Moods & Conflict | 5/19/1952 | See Source »

This is what the two Hearstlings, showing uncommon restraint, call "hot journalism." It is not even that. The boys' candor comes at the sacrifice of coverage; they leave big areas of corruption severely untouched. One piquant example is their soft-pedaling of the numbers racket. The omission may stem from the fact that the newspaper Lait now edits (The New York Daily Mirror) prints daily figures from which enterprising readers work out numbers results...

Author: By Paul W. Mandel, | Title: U.S.A. Confidential | 3/13/1952 | See Source »

Both choruses and both conductors collaborated in excerpts from Brahms' Liebeslieder Walzes. Although not towering masterpieces, these love songs are piquant and melodious, and the singing was suitably flavorful...

Author: By Lawrence R. Casler, | Title: Radcliffe-Amherst Concert | 3/10/1952 | See Source »

...Schonberg preferred to call it, "pantonality") is not particularly pleasing to the ear. The absence of all conventional melody, harmony, rhythm, and direction in the piece leaves a half hour of tenseness and doubts which are never fully resolved. And the vacillating, rhapsodic themes, occasionally broken by piquant pizzicatos and eerie glissandos, gave me a feeling of desolation throughout. Viewed in its entirety, the work is a lot more difficult to comprehend than its more lyrical sister concerto, by Alban Berg, and future performances would be most welcome. Two hearings of the concerto aren't enough to make Schonberg fans...

Author: By Lawrence R. Casler, | Title: The Music Box | 1/16/1952 | See Source »

...realistic and romantic love, cynicism and idealism, the claims of life, impermanent and impure, and those of changeless Death, to whom Anouilh grants a rather mawkish victory. The play has its merits. Amid so many varieties of love, it at least excludes Hollywood's. There are vivid counterpointings, piquant juxtapositions. Eldon Elder's set is splendidly striking; and though Dorothy McGuire seems partly mystified and partly miscast as the girl, Richard Burton, as her lover, plays a difficult role persuasively. But the play grows tedious with saucy twists and lethargic with the fumes of Nachtkultur. When it doesn...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 7, 1952 | 1/7/1952 | See Source »

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