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Word: pirandellian (lookup in dictionary) (lookup stats)
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...Pirandellian reflecting pool. Are the songs refractions of a fractured relationship, or are the Thompsons re-enacting and reliving the songs? Is it life that is caught in the chorus, or the people? "Richard has a very spiritual side of him," Linda explains. "I think in a lot of ways he is scared of the nonspiritual side of him, so he tends to gravitate toward something that's spiritual to help him from going completely over the top. He just does everything with a vengeance, with a vengeance." The memory of a line from the Thompsons...

Author: /time Magazine | Title: Music: Songs of Sad Experience | 8/30/1982 | See Source »

Marie-Josée Nat, shows up in the flashbacks, playing-nicely if unspectacularly-his mother; Drach's son David shows up as the boy Michel. The familial casting forms cozy Pirandellian arabesques, but they are merely decoration...

Author: /time Magazine | Title: Cinema: Pogrom Practices | 1/27/1975 | See Source »

...lack of any feeling behind all of these deceptions reflects the hollowness of Chee-Chee. In the Pirandellian wilderness of mirrors and puppets, emotion at least must be real. Artistically, it is emotion which must charge Pirandello's otherwise intellectualized prose with dramatic truth, as he well knew: the playwright needs to find the word which will be the action itself spoken, the living word that moves, the immediate expression, having the same nature as the act itself...

Author: By Stephen Tifft, | Title: Pirandellian Calisthenics | 10/24/1974 | See Source »

...words seemed to convey the utmost reasonableness. There was none of the jut-jawed belligerence of a Duce, none of the menacing rhetoric of a swaggering martinet. In fact, an ironic, Pirandellian sense of split realities was inescapable. Here was a former functionary of Benito Mussolini's last government denouncing the "totalitarian" ways of contemporary Italy...

Author: /time Magazine | Title: ITALY: The Gentleman Fascist | 6/11/1973 | See Source »

...make his Pirandellian conceit even more elaborate, Mailer has Maidstone introduced by a saucy English television correspondent named Jeanne Cardigan (and played by Lady Jeanne Campbell, Mailer's third wife). Appearing from time to time to interview Norman Kingsley and his colleagues, she finally bares her breasts on a live telecast, smears her face with blood, licks the microphone, and moans: "I love Norman T. Kingsley." Such fantasies seem attributable both to Mailer and the character he is playing. They are intermingled with scenes that Kingsley shot for his movie, that Mailer shot for his, and incidents that happened...

Author: /time Magazine | Title: Cinema: Norman's Phantasmagoria | 11/15/1971 | See Source »

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