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...Claude Monet Bouquet went for $25,000; a Renoir Jeune Fille for $37,000. In Manhattan, a Pissarro sold...

Author: /time Magazine | Title: Art: The Market | 1/31/1955 | See Source »

...after he had been painting for some 30 years, demented Pierre Dumont tried to kill his own mother and was committed to an insane asylum in Paris. There, in 1936, he died in poverty, so overshadowed as an artist by his fellow impressionists Monet, Renoir, and Pissarro that the world had already forgotten about him. Last week London's Redfern Gallery threw open its doors to the first showing of Dumont's works outside France, and the long-neglected painter seemed suddenly destined for an amazing revival...

Author: /time Magazine | Title: Art: Neglected Master | 3/15/1954 | See Source »

...vigilance against artistic forgeries, contained fake stamps, coins, "neolithic'' pottery, manuscripts and old masters, many of them so well done that they had fooled even the experts. Among the best forgeries: a Goya Crockery Seller on old canvas, with small, fanlike cracks to simulate age, a clever Pissarro landscape with false documentation of past owners, along with dazzling phonies labeled Da Vinci, Rubens, Corot. There was even a fake fake-a forged Titian which later turned out to hide, under layers of paint, another Titian adjudged genuine...

Author: /time Magazine | Title: Art: The Best Phonies | 2/22/1954 | See Source »

...Salon won more fame in later years with major retrospective shows of the works of Courbet and Gauguin (1906), Corot (1909), Pissarro (1911). Rodin (1919) and Renoir (1920). After the liberation of Paris, the Salon reopened in 1945 with a gigantic Picasso retrospective...

Author: /time Magazine | Title: Art: Birthday in Autumn | 11/30/1953 | See Source »

Monet probably painted the picture in 1869, when he was a young man and a failure, living in abject poverty and painting in perfect joy. Renoir used to drop in at Bougival with a loaf of bread to keep Monet going. Five years later, Monet and his friends-Renoir, Pissarro and Sisley, among others-staged a group show of their work that the French public greeted with howls of scorn. One critic had dubbed the bunch Impressionists after the title of a Monet painting: Impression-Rising...

Author: /time Magazine | Title: Art: PUBLIC FAVORITES (30) | 8/24/1953 | See Source »

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