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...with the museum to give their guests VIP tickets (you'll get to jump to the front of the line to see what some people are calling one of the biggest art events of the year). If you really want to keep with the art theme, ask for the Pissarro suite at the Hôtel du Louvre (one of the Concorde hotels), where the artist lived and painted. Room rates start at $260 and include breakfast and a box of Warhol-themed chocolates. The offer is good from March 18 to June...

Author: /time Magazine | Title: Across the Board, Luxury Travel Is on Sale | 3/9/2009 | See Source »

...story villa that houses the E.G. Bührle collection is in keeping with its quiet residential neighborhood in Zurich. But it doesn't begin to betray the priceless treasure inside: one of the world's most impressive private collections of European art, with works by Delacroix, Degas, Renoir, Pissarro, Gauguin, Canaletto, Braque, Signac, Picasso and other masters from the 16th to the 20th centuries...

Author: /time Magazine | Title: An Eye for Quality | 9/26/2007 | See Source »

...1870s was just opening to the outside world after centuries of isolation. Japanese handicrafts were flooding into European department stores and art galleries. Japonisme, a fascination with all things Japanese, was soon the rage among French intellectuals and artists, among them Vincent van Gogh, Edouard Manet, Camille Pissarro and the young Monet. Perhaps for that reason Impressionism caught on early in Japan and remains ferociously popular there...

Author: /time Magazine | Title: Monet's Love Affair with Japanese Art | 1/4/2007 | See Source »

...Seurat was also looking closely at the Impressionist works of Renoir, Monet and Pissarro. By the 1880s Impressionism was coming under attack not just from the usual academic conservatives but from a new generation who wanted art to reclaim its larger purposes, to represent moral hierarchies, eternal values, history - anything that imposed an order of the mind on the hectic gatherings of the eye. The Impressionists had no use for any of that. Their working method was to record the fleeting effects of light at a particular moment, and that moment was always...

Author: /time Magazine | Title: Connecting the Dots | 9/1/2004 | See Source »

...when he had long since had his fill of Paris, of its constipated moods, its bourgeois proprieties and its hostility to him, the 43-year-old Gauguin wrote to the Impressionist painter Camille Pissarro: "More than ever I am convinced that there is no such thing as exaggerated art. And I even believe that there is salvation only in extremes...

Author: /time Magazine | Title: Art: The Man Who Sailed Away | 3/1/2004 | See Source »

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