Word: pistone
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...Rimsky-Korsakov *Scherzo from the Octet Mendelssohn *Overture to "The Bartered Bride" Smetana *"A Victory Ball" Scholling (Conducted by the composer) *Planoforte Concert No. 2 in D minor, Op. 23 MacDowell I. Larghetto calmato II. Presto glocoso III. Largo; molto allegro Soloist: Jesus Maria Sanroma "The Incredible Flutist" Piston (Dance play by Hans Wiener) Mass Wiener and his Dancers with Orchestra *Selections checked (*) are available on records at Briggs & Briggs Music Store, Harvard Square...
...March MilitaireSchubert *Overture to "Mignon" Thomas *"Molly on the Shore" Grainger *"Cavalleria Rusticana," Fantasia Mascagni Austrian Peasant Dances Schonherr Wedding March "Schuhplattler" Hog Dance Zwoaschritt *Second Norwegian Dance Grieg *Halian Capriccio Tschaikovsky "The Incredible Flutist" Piston (Dance Play by Hans Wiener) Hans Wiener and his Dancers with Orchestra *Selections checked (*) are available on records at Briggs & Briggs Music Store, Harvard Square...
...Quintet" (two violas), the rest of the program is made up of modern works: "Choros II for Flute and Clarinet" by Villa-Lobos, a short rhythmical piece of great difficulty; "Three Counterpoints" by Honegger, which are gay pieces in spite of their academic form; and the second performance of Piston's "Sonata for Violin and Piano" (Mr. Piston will be at the piano...
...point of view. The program was for the most part clever, rhythmical music entirely pleasant to listen to. The Borodin "Polevetskian Dances," the Cimarossa and the Gilbert and Sullivan choruses were especially effective. There was a strikingly small amount of froth on the program, in fact, the finale from Piston's "Suite for Orchestra," a vigorous movement, full of strongly dissonant counterpoint, was a little meaty, perhaps, for such a casual audience. This program culminates a year of cooperation between music at Harvard and the Boston Symphony Orchestra which has made possible performances of Beethoven's "Mass...
...Wallace Woodworth '24. Guest Conductor Two Choruses from "Il Matrimonio Segreto" Cimarosa 1. Oh che gioja, che piacere 2. Per imbrogliar la testa Martinslied Hindemith Choruses from "The Birds" of Aristophanes John Knowles Paine (Written for the Harvard Classical Club, 1901) (1839-1906) Finale, from Suite for Orchestra Piston *Choruses from "Iolanthe" Sulivan The Harvard Glee Club Leroy Anderson, '29, Guest Cond. *Overture to "Die Fledermaus Strauss Harvard Sketches Leroy Anderson Lowell House Bells--Freshman in Harvard Square; Widner Reading Room--Class Day Confetti Battle *"Up the Street," March Morse, '96 Fair Harvard *Selections checked (*) are available on records...