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...DOCK OF THE BAY (Volt). The title song, Otis Redding's first million-selling single, was recorded a few weeks before his death in a plane crash last December. One of his catchiest and most reflective songs, it has none of the torrential outbursts and piston rhythms with which he electrified his audiences from Paris to Monterey during his brief reign as the crown prince of soul. But the album has other cuts of more typical pounding blues (I'm Coming Home and Don't Mess with Cupid), as well as some lighthearted badinage with Carla Thomas...

Author: /time Magazine | Title: Time Listings: May 24, 1968 | 5/24/1968 | See Source »

That shot more or less typifies Bing's style. He is not a long-range shooter, lobbing them in from 20 to 25 ft. away. Piston Coach Donnie Butcher says that two or three other Piston players are more accurate shots. What Bing developed at Washington, D.C.'s Spin-garn High School and later at Syracuse, is the whippet-like speed and agility with which he slides past, spins around, or ducks under bigger, clumsier defenders, as he drives in for close-range lay-ups and hooks. He also has fantastic spring. When he uncoils and jumps...

Author: /time Magazine | Title: Basketball: Power for the Pistons | 2/2/1968 | See Source »

...large Romantic works at either end of his programs, Yannatos has persistently scheduled pieces of 20th century music--often recent compositions--as keystones of his concerts. On Friday he led the HRO in performances of Mozart's Overture to Die Zauberfloete, the new clarinet concerto by professor emeritus Walter Piston, and that song to end all songs, Mahler's Das Lied von der Erde. What more could one ask of an evening...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

...hundred-seventy-six years separate the Mozart from Piston's Concerto for Clarinet and Orchestra, completed last July. In import, however, the two are not so very far apart. Written in a thoroughly modern idiom, Piston's piece nevertheless has all the brevity, forward drive and essential lyricism of a Mozart horn concerto. Soloist John C. Adams combined a capacity for pyrotechnics with a sensuous pianissimo that must be the envy of all clarinetists...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

...insecurity occasionally reared its head during the Piston, it was certainly in full view throughout the Mahler. The orchestra's performance was rife with premature entrances, bad ensemble, sloppy (though assidious) passagework and poor intonation. On the whole, the woodwinds came off better than the strings, though everyone seemed to be working hard. Marilyn Malpass was a model concert-mistress, at all times attentive to the conductor and heroically attempting to bring the rest of the section along with her. Oboist Carl Schlaikjer was shaky in the second movement, but recovered by the sixth and spun out some...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

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