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Every bit as careful as Sam, the Speedway management had also tried to play it safe. The limit on piston displacement for engines without superchargers had been lowered from 274.59 to 256.284 cu. in. (the limit for supercharged power plants was 170.856 cu. in.), on the theory that less power would mean less speed. It meant just the opposite. Smaller engines allowed smaller cars. The "bombs" that turned out for the 500 had never been lighter, had never handled so well on the turns. As a result, the first ten to finish all beat the late Bill Vukovich...

Author: /time Magazine | Title: Sport: Sweet & Low | 6/10/1957 | See Source »

...Million Bet. Union strip-mines the oil-bearing rock in high butte country, then transports it by conveyor belt to the new retort. Crushed to small pieces, the rock is rammed upward in the six-story-high retort by a huge piston, meeting a stream of fire-fed gases that distill out shale oil at a rate of about 30 gal. per ton of rock. The raw oil is carried by truck to Union's Brea, Calif, plant...

Author: /time Magazine | Title: OIL: The Trillion-Barrel Field | 6/3/1957 | See Source »

...situation will grow even worse in 1958 and 1959. Every major carrier has placed orders for swift new jet transports whose initial cost is three times more than current piston-engine planes. Estimates are that over the long run the planes will be able to earn twice as much money as their older counterparts. Yet rising costs are eating away the profits the lines had hoped to set aside to buy them. American Airlines, for example, has $250 million worth of new jets and turboprops on order. It has a $135 million loan to pay for part of the cost...

Author: /time Magazine | Title: AVIATION: Crash Warning | 5/20/1957 | See Source »

Friday evening's Paine Hall concert offered works by four student musicians currently enrolled in Walter Piston's composition seminar: Stephen Addiss '57, John Bavicchi 4G, John Crawford 2G, and Nicholas England 1G (the letter D was somehow overlooked). All the music was written, I understand, during the present academic year...

Author: By Caldwell Titcomb, | Title: Piston Seminar Concert | 5/7/1957 | See Source »

...students decided to end the concert with a tribute to their teacher in the form of Professor Piston's own Sonata for Flute and Piano, performed by flutist William Grass and pianist Tan Crone. Piston is one of those rare men who can teach as well through example as through words. This sonata, a relatively early work (1930), showed Piston to be already an impeccable craftsmen. All three movements were skilfully wrought in traditional shapes of almost Mozartean clarity, albeit on a mainly contrapuntal basis. The performance, however, was no more than adequate; Mr. Grass was definitely not "The Incredible...

Author: By Caldwell Titcomb, | Title: Piston Seminar Concert | 5/7/1957 | See Source »

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