Word: pit
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Dates: during 1950-1959
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Nell grew up in her mother's establishment, sweeping the fireplaces and "serving strong waters to the guests." At 13, she improved her station to that of an "orange wench," selling fruit in the theater pit. At 14, the chronicler reports, she was "eased of her virginity," probably by a famous actor, Charles Hart, who cast her in a small part...
...marriage, relaxes the prohibition against marriage between cousins seven times removed, and, for the first time, makes divorce possible -though still very difficult-for Hindu women. Wrote Brahmachari: "The Hindu Code Bill will ruin religion, confuse castes, undermine the authority of the Scriptures, damage Hindu culture, split every family, pit brothers against sisters, and profit only lawyers." Nehru, he said, is "a black Englishman [who] studied in the West . . . and is so stuffed with its ways that he wants us all to adopt Christian customs...
...days before curtain time, but the Metropolitan Opera's brave new production of Mozart's Così Fan Tutte was trembling and acold. At rehearsal, the singers were tired and downcast. Stage Director Alfred Lunt was slumped in a front-row seat, clasping his head. From the pit came the low, gruff voice of Veteran Conductor Fritz Stiedry: "Alfred! Be very angry. Make a big scene...
Rescue crews, who went back into the smoke and dust with oxygen masks were appalled at what they found. Miles of track lay twisted and ripped from its bed. Heavy loading machines and steel pit cars were overturned. Miles of telephone and power lines were out. Worse, fire was smoldering-in the blasted entries and ventilation systems had been knocked out. At best count, 113 men had got to the surface after the explosion. Many of the 105 missing had been working at least two miles from the elevator shaft down the wrecked entries...
Adapted by Scripter Peter Viertel from George Howe's Christopher Award-winning 1949 novel, Call It Treason, the. picture is a bang-up job of moviemaking. To tell the story of German prisoners of war who worked as U.S. spies, Director Anatole (The Snake Pit) Litvak goes the semi-documentary technique one better: he uses locations in 16 German cities and towns not merely as backgrounds but as living sets to re-enact the chaos of a battered, squalid Germany in the critical winter of 1945. The canvas is broad, the detail meticulous, the effect overwhelmingly real...