Word: pit
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Dates: during 1960-1969
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...engaged him." Funny? "There were many mistakes," explains Bing. "He was totally inexperienced. But it was all overshadowed by his personality and talent. Experience anyone can get." Mehta made his Met debut in December 1965 with Aïda, quickly became one of the top cocks in the Met pit. This season he has conducted three major productions, including a new Carmen. Says Bing: "I am still impressed by his talent and personality-and now it is less funny...
...conductor since Sir Thomas Beecham. He has a relatively wide repertory, ranging from Mozart through Berlioz to Stravinsky, and an uncanny talent for instilling the faded and familiar with fresh life. His straightforward technique combines grace with precision and gravity with rhythmic bite, and his touch in the opera pit is firm and stylish...
Heroes in the Pits. Not that there haven't been defensive stars before. Washington Redskins Linebacker Sam Huff has been a popular figure for years, and Larry Wilson of the St. Louis Cardinals practically holds the patent on the safety blitz. But they are the visible parts of the defense. What six-year-old could fail to spot a blitzing safety man or cheer a cornerback's one-handed interception. The difference is that knowledgeable football buffs have now found a whole new pantheon of heroes in the heart of the defense: the front four linemen, the immense...
...involve one weekly round-trip flight each (two a week during the summer season) by Pan American World Airways and Aeroflot, the U.S.S.R.'s government-owned airline. Though U.S. and Soviet officials agreed more than a year ago to start such flights, the Russians were understandably reluctant to pit their obsolescent turboprop TU-114s against the much faster (600 m.p.h.) Boeing 707-320C jetliners that Pan Am plans to use on the runs. The IL-62, with a 560-m.p.h. cruising speed only slightly slower than the Boeing, was the obvious Soviet answer, but it had been beset...
...love feast for the traditionalist who prefers bombast in Wagner. The five-hour morality saga of human love in conflict with divine power-and of divinity in conflict with itself-has hardly ever sounded so subdued and lyrical. Without the need to outshout torrents of sound from the pit, the singers often performed at little above normal conversational tones...