Word: pit
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...kick-up-your-heels flapper dance of The Hairdo Hop, past the wild jungle dance of Stix, round the sultry, smoky bend of A Blues for Two Women and back home to Harlem for the finale, Queenie Pie is unmistakably the work of the grand Duke. In the pit, the Duke Ellington Orchestra steps through the score's uptown opulence with high style, trumpets growling and keyboards swinging, while onstage, members of Director-Choreograp her Garth Fagan's Bucket Dance Theater juke and okeydoke their way through kinetic, hyperactive routines...
Matmata is a small village nestled in the rocky hills of southeastern Tunisia in north Africa. Over the centuries, the town's Berber settlers developed an ingeniously simple way of beating the withering summer sun and cold winter winds. They fashion a village of pit houses, huge craters disguising a complex array of caves used as houses, granaries, and "barns...
...part of an industry-wide drive to cut costs, most of today's gold mines are surface, or open-pit, operations, a method used in copper and coal mining. The new excavations can take as long as eight years to start up, but then can handle thousands of tons of low-grade ore daily. The latest mines make use of a chemical technique called heap leaching to reduce costs. The procedure involves the spraying of crude ore with a cyanide solution that absorbs microscopic amounts of gold as it filters through the heaps of rock. After further processing...
...Calif., about 120 miles east of San Francisco. Angels Camp provided Mark Twain with notebooks full of prospecting lore for his short story The Celebrated Jumping Frog of Calaveras County. Today workers for the Carson Hill gold-mining company are blasting and carving out a 1,100-acre open-pit site. When it begins full operation in October, the Carson Hill venture will be the first commercial gold mine to open in the Angels Camp area since 1950. The company's general manager, W.B. Williams, expects to cull only .046 oz. of gold per ton of ore mined. But, says...
...other sculptor's imagination was more manifestly connected to his past, even to his infancy, than Moore's. Like D.H. Lawrence, he came from a mining village; his father had labored in the pit and risen to become an engineer. His mother bore eight children, and one does not need to be an exegete to realize that it is to her that his work insistently refers -- those broad- backed, maternal figures, like sentinels, their bodies expanded into bosses and swells that suggest an infant's apprehension of the breast, or hollowed into womblike cavities. The fundamental experience of work that...