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Down in the pit of the Senate Foreign Relations Committee's hearing room, Photographer Roddey Mims hunched over and squinted through his Nikon view finder at George Shultz, Secretary of State-designate. As Mims cranked off frames of the imperturbable Shultz through two days of testimony, the cameraman concluded that he had not seen such an open and luminescent pate since the days of Dean Rusk or such a noble double chin since Henry Kissinger used to come around to explain the world...

Author: /time Magazine | Title: The Presidency by Hugh Sidey: A Composite of Experience | 7/26/1982 | See Source »

Noel Coward was the master of the clipped, ice-cool putdown; George C. Scott is the master of the bristling, white-hot punchup. His voice is an explosion in a gravel pit, and he moves across the stage like a bulldozer in a china shop. Knowing that it would be folly to imitate Coward's brittle delivery and soigné manner, Scott has turned an airily sophisticated comedy into a rollicking, slambang farce...

Author: /time Magazine | Title: Theater: Slambang Scott | 7/26/1982 | See Source »

...infield is for men. Black-leathered motorcycle riders, general hell raisers and frat boys down for a look at the fun all stake out their separate claim Turn One is the "Snake Pit," the motorcycle mecca, Harley Heaven. The bikers get drunk, get crazy, get naked, get sick, and get beat up for the amusement of corporate executives sitting in the luxury $30.000 boxes across the track. Turns Two and Three are slightly less populated but boast a steady level of determined merrymaking...

Author: By John F. Baughman, | Title: The Infielder's View of Indy | 6/25/1982 | See Source »

...Wesselmann, Andy Warhol, Robert Longo-nor as a generalized hieroglyph for "expressionist" feeling, as in de Kooning or the new German painters. Such painting wants to inspect and describe the body as a real object in the world, in all its resistances, its actualities, its peculiar landscapes of pit and pore and hair. It wants to move outward from that to see its social relations and, perhaps, its allegorical uses, but it is invariably tied to some conception of realism. This is the painting that always gets condescendingly rediscovered when people talk about "realist revivals...

Author: /time Magazine | Title: Art: Lost Among the Figures | 5/31/1982 | See Source »

Teran was a pit crewman, just 22. To someone standing a few feet away, the sound of the thud was enough. Teran was dead. But the reflex thought was the irony of betrayal, not the horror of racing. Who would think to look both ways before stepping out into the alltime one-way street? George Bignotti, the famed engine builder, picked up Armando Teran's shoes. After the rest of the debris was picked up, the race resumed...

Author: /time Magazine | Title: Sport: A Marred Day | 5/31/1982 | See Source »

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